7.6
Viewer Rating
Combines user and critic ratings from four sources
Rose Marie (1936)
Rose Marie (1936)
Overview
An incognito opera singer falls for a policeman who has been assigned to track down her fugitive brother.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.6
Overview
An incognito opera singer falls for a policeman who has been assigned to track down her fugitive brother.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict between a Mountie's duty and a woman's loyalty to her brother, intertwined with a romantic narrative, is resolved without explicitly promoting a specific political ideology. It focuses on apolitical themes of romance and individual choices within a given system.
The movie 'Rose Marie' (1936) features traditional casting with a predominantly white cast, reflecting the norms of its production era. Its narrative focuses on a romantic adventure without critiquing traditional identities or incorporating explicit DEI themes.
Secondary
Rose Marie is a classic musical romance centered on a Canadian Mountie and an opera singer. The narrative focuses entirely on their heterosexual relationship, family drama, and career aspirations. There are no identifiable LGBTQ+ characters, themes, or subtext present in the film's storyline or character arcs, resulting in a net impact of N/A.
The 1936 musical film "Rose Marie" does not feature any identifiable transsexual characters or themes. The narrative focuses on a singer searching for her brother and her romance with a Mountie, without any elements related to transgender identity or experiences.
The film is a musical drama set in the Canadian wilderness. Its narrative focuses on romance, music, and the search for a fugitive. There are no scenes depicting any female character engaging in or winning direct physical combat against one or more male opponents.
The 1936 film "Rose Marie" is an adaptation of the 1924 operetta. The primary characters, Rose-Marie La Flemme and Jim Kenyon, maintain their established genders from the source material in the film adaptation.
The 1936 film "Rose Marie" is an adaptation of a 1924 operetta. The main characters, Rose Marie Lemaitre and Jim Kenyon, were established as white in the source material and previous adaptations. The 1936 film portrays these characters with white actors, consistent with their established race.
Viewer Rating Breakdown
User Ratings
6.7
6.2
Critic Ratings
10.0
N/A
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