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Roundhay Garden Scene (1888)
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
The film is a purely observational, two-second clip of people walking in a garden, lacking any discernible narrative, conflict, or thematic content that could be interpreted through a political lens. Its historical context as one of the earliest motion pictures further emphasizes its apolitical nature.
This film, a very early and extremely short production from 1888, does not exhibit any characteristics related to Diversity, Equity, and Inclusion. Its brief nature and historical context mean there is no intentional DEI casting or narrative framing of traditional identities or DEI themes.
The film 'Roundhay Garden Scene, 1888' is a very short, early cinematic experiment depicting people walking. Due to its historical context, extreme brevity, and lack of narrative, there are no identifiable LGBTQ+ characters or themes present within the film.
Roundhay Garden Scene, 1888 is a very early, short silent film depicting people walking in a garden. There is no information or historical context to suggest the presence of transgender characters or themes within this brief, observational piece. Consequently, the film contains no identifiable depiction of transsexual individuals or related narratives.
The movie does not contain any action or adventure elements.
This is one of the earliest known films, depicting real individuals without any prior canonical or historical gender established in source material that could be swapped. The film itself is the original depiction.
Roundhay Garden Scene (1888) is an original, very early film, not an adaptation or reboot of pre-existing characters. There is no prior established canonical or historical race for its subjects to be swapped from.
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