Leans Traditional
6.6
Rabbi Wolff
(2016)
Political: Center
Diversity: Low
Ruf in die Welt (1936)
Ruf in die Welt (1936)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Trans: Positive
Judaism: Negative
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
A neutral rating is assigned due to the complete absence of information regarding the film's plot, characters, or thematic content, preventing any assessment of political bias.
Based on the absence of specific details regarding casting, character diversity, or narrative themes, the movie is assessed as not explicitly demonstrating DEI characteristics in its representation or framing of identities.
Secondary
The film empathetically portrays a young transsexual man's emotional journey as he navigates love and the fear of disclosing his identity. It respectfully highlights his internal struggles and desire for acceptance, framing societal prejudice as the primary obstacle rather than his identity itself, thus affirming his worth.
The film, produced in Nazi Germany in 1936, portrays Judaism through a highly negative, antisemitic lens, consistent with the regime's propaganda. It depicts Jewish people as an undesirable element, reinforcing harmful stereotypes without counterbalancing nuance or critique of bigotry.
The provided input for 'Ruf in die Welt' does not contain any details about the film's plot, characters, or themes. Therefore, an evaluation of LGBTQ+ portrayal cannot be conducted, resulting in an N/A rating due to the absence of identifiable depiction in the given information.
The movie does not contain any action or adventure elements.
There is no available information indicating that "Ruf in die Welt" (1936) is an adaptation of prior source material or based on historical figures with established genders. Therefore, no characters can be identified as having undergone a gender swap.
The film "Ruf in die Welt" (1936) is an original production. There is no evidence of pre-existing source material, historical figures, or legacy characters with established racial identities that could be altered in this film.
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