Sanctus (1966)
Sanctus (1966)
Overview
Sanctus intercuts three Mexican rituals of parallel structure: the Catholic Mass, the bullfight, and the sacred hallucinogenic mushroom ceremony of the Mazatec people.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Sanctus intercuts three Mexican rituals of parallel structure: the Catholic Mass, the bullfight, and the sacred hallucinogenic mushroom ceremony of the Mazatec people.
Starring Cast
Detailed Bias Analysis
Primary
The film is a horror narrative set against the backdrop of post-WWI Hungary and the Spanish Flu, focusing on a photographer battling malevolent spirits. Its central conflict and resolution are rooted in supernatural horror and the processing of collective trauma, rather than promoting any specific political ideology or offering ideologically charged solutions.
Due to the absence of specific details regarding the movie's casting and narrative, a comprehensive DEI assessment is not possible. Based on a neutral evaluation in the absence of information, the film is considered to have light DEI present, reflecting a balanced approach without explicit emphasis on either traditional or DEI-driven elements.
Secondary
As a documentary about Auschwitz, the film portrays the systematic persecution and murder of Jewish people with profound sympathy and respect. The narrative unequivocally condemns the bigotry and violence directed against them, positioning the audience to empathize deeply with the victims.
Based on the information provided, it is not possible to evaluate the film's portrayal of transsexual characters or themes. No details about the movie's content were available for analysis, leading to a determination of N/A for depiction.
The movie does not contain any action or adventure elements.
This 1966 West German film appears to be an original production without pre-existing source material, historical figures, or legacy characters whose gender could have been altered. Therefore, no gender swaps are identified.
This 1966 German television film appears to be an original production, not an adaptation of existing source material with pre-established character races or a biopic of historical figures. Therefore, there is no prior canon from which a character's race could have been swapped.