The film features LGBTQ+ characters, including Gilly's lesbian mother and her partner, and a gay hairdresser. Their identities are present and serve minor plot or comedic functions, but the overall portrayal is incidental, neither strongly affirming nor problematic, avoiding deep exploration or significant impact on the narrative's core themes.

The film features a transsexual character, Dig McCaffrey, whose identity is revealed as a major plot twist to resolve a perceived incestuous relationship. This portrayal uses the character's trans identity primarily for comedic shock and plot convenience, rather than offering a dignified or complex depiction.

The film portrays a 'Christian' halfway house run by Vic, a manipulative and hypocritical character who uses religion as a front for his schemes. The narrative depicts this institution and its leader as exploitative and problematic, without significant counterbalancing positive portrayals of the faith.