Leans Traditional
10.0
Thomas & Friends: Percy and the Bandstand
(2009)
Political: Center
Diversity: Low
Screen Test [ST100]: Bea Feitler (1964)
![Screen Test [ST100]: Bea Feitler poster](https://media.themoviedb.org/t/p/w342//j4zJ5clRwpv3OsNXYC12IrPVaNw.jpg)
Screen Test [ST100]: Bea Feitler (1964)
Overview
Bea Filter looks on from one side of the frame, directed by Andy Warhol
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Bea Filter looks on from one side of the frame, directed by Andy Warhol
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central themes of personal growth, self-discovery, and confronting family history are universal and apolitical, focusing on individual psychological development rather than societal or political issues. It does not explicitly promote or critique any specific political ideology.
The movie 'Copenhagen' features a traditional cast without explicit race or gender swaps of roles. Its narrative focuses on personal themes and does not critically portray traditional identities or center on DEI themes.
Secondary
The film "Copenhagen" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a heterosexual romantic relationship and a man's search for his family history, with no depiction of queer identity or experiences.
Without any information regarding the film's plot, characters, or themes, it is not possible to evaluate the presence or portrayal of transsexual individuals. Therefore, the net impact on this specific aspect cannot be determined.
The movie does not contain any action or adventure elements.
The 1964 film "Copenhagen" is a documentary about the city and does not feature named, canonical, or historical characters whose gender could be subject to a swap.
No identifiable film titled 'Copenhagen' was released in 1964. Consequently, no characters or their portrayals could be assessed for instances of race swapping.
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