Screen Test [ST286]: Barbara Rubin (1965)
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Screen Test [ST286]: Barbara Rubin (1965)
Overview
Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put her cigarette out, and gazes off into space. Near the end of the film, she smiles broadly at people off-screen.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Barbara Rubin, posed against a white wall and brightly lit from the right, smokes, shifts position constantly, glances around, leans forward to put her cigarette out, and gazes off into space. Near the end of the film, she smiles broadly at people off-screen.
Starring Cast
Detailed Bias Analysis
Primary
The film is an experimental, silent portrait that lacks narrative, explicit political messaging, or thematic advocacy for any specific ideology, focusing instead on observational presence.
This film is a direct, unscripted portrait of a single individual, Barbara Rubin, a white woman. As such, it does not involve traditional casting decisions or a narrative that engages with diversity, equity, or inclusion themes. The portrayal is neutral and observational, without any explicit DEI considerations.
Secondary
Andy Warhol's 'Screen Test [ST55]: Alicia Purchon Clark' is a silent, non-narrative film portrait. It lacks any discernible plot, character arcs, or thematic elements that would allow for an evaluation of LGBTQ+ portrayal. Consequently, there is no depiction of LGBTQ+ characters or themes within the film's scope.
The film {三姑嫂(下集)} (1965) could not be evaluated for its portrayal of transsexual characters or themes due to a lack of specific plot or character information. Therefore, its net impact is rated as N/A.
The movie does not contain any action or adventure elements.
The film is a direct portrait of Alicia Purchon Clark, a real individual, not an adaptation of a character with a pre-established gender from source material or history. Therefore, no gender swap occurs.
Andy Warhol's "Screen Test" films are original, experimental works featuring individuals directly, not adaptations of pre-existing characters or narratives. There is no prior canonical or historical depiction of a character named Alicia Purchon Clark whose race could have been altered.