Center
6.7
Tangled: Before Ever After
(2017)
Political: Center
Diversity: Low
Female Combat: Yes
Screen Test [ST58]: Roderick Clayton (1966)
![Screen Test [ST58]: Roderick Clayton poster](https://media.themoviedb.org/t/p/w342//ceynTw91YefPSxWdSe3Oy6DOcmw.jpg)
Screen Test [ST58]: Roderick Clayton (1966)
Overview
Roderick Clayton looks around in all directions, squints into the light, peers upward, and turns to show both profiles.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Roderick Clayton looks around in all directions, squints into the light, peers upward, and turns to show both profiles.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Screen Test [ST2]: Charles Aberg is rated 0 because its central subject matter—a silent, unedited portrait of an individual—is inherently apolitical, focusing on human presence and the act of observation rather than any specific socio-political issue or ideology.
This film, a static portrait of a single individual, features a traditional subject without any explicit diversity in casting or character roles. Its observational nature provides no narrative or framing that critiques traditional identities or explicitly promotes DEI themes.
Secondary
Andy Warhol's 'Screen Test [ST2]: Charles Aberg' is a silent, unedited portrait. The film lacks narrative, dialogue, or explicit thematic content regarding LGBTQ+ identity. Consequently, no identifiable LGBTQ+ characters or themes are depicted, leading to an N/A rating.
Publicly available information for the 1966 film 'The Kibbutz' by Charles Dee Sharp does not indicate the presence of any identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable, as no depiction could be found.
The movie does not contain any action or adventure elements.
The film is a direct screen test of the real-life individual Charles Aberg, who is portrayed as male, consistent with his historical gender. There is no instance of a character established as one gender being portrayed as another.
The film is a direct portrait of Charles Aberg, a real person, who portrays himself. There is no established prior canonical or historical depiction of Charles Aberg as a different race.
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