Leans Traditional
7.6
Look at Life: Ten Pins Down
(1959)
Political: Center
Diversity: Low
Serbian Army Entering Skopje (1918)
Serbian Army Entering Skopje (1918)
Overview
Upon the liberation of Skopje on the 25th September 1918, the cameramen of the Cinematographic section of Photography department of the Serbian Army filmed the town's appearance, local musical orchestras, Dusan's bridge, entry of the military units into town, citizens on the town streets, station Ajvatovac close to Skopje, as well as escorting of the captive Bulgarian soldiers through the town.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Islam: Negative
Viewer Rating
Not Rated
Overview
Upon the liberation of Skopje on the 25th September 1918, the cameramen of the Cinematographic section of Photography department of the Serbian Army filmed the town's appearance, local musical orchestras, Dusan's bridge, entry of the military units into town, citizens on the town streets, station Ajvatovac close to Skopje, as well as escorting of the captive Bulgarian soldiers through the town.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a historical newsreel documenting the Serbian Army's entry into Skopje, presenting a factual record of a specific event without explicit narrative framing or ideological promotion, thus rendering it neutral.
This historical footage documents the Serbian Army's entry into Skopje, reflecting the demographics and societal norms of the early 20th century. As a factual depiction of a specific historical event, it naturally portrays the people and context of that era without intentional modern diversity initiatives or critical framing of traditional identities.
Secondary
The film, a Serbian production from 1918, implicitly portrays Orthodox Christianity positively by celebrating the Serbian army's entry into Skopje, framing it as a national triumph often intertwined with religious identity and liberation.
The film implicitly portrays Islam negatively by depicting the 'liberation' of Skopje from Ottoman rule. This narrative frames the former Muslim presence as the defeated oppressor, contrasting it with the victorious Christian Serbs.
This historical documentary from 1913 focuses solely on the Serbian army's entry into Skopje. As such, it does not feature any identifiable LGBTQ+ characters or themes, resulting in no depiction.
This film is a historical newsreel from 1913 depicting a military event. There are no identifiable transsexual characters or themes present within the content, making the framework for evaluation not applicable.
The movie does not contain any action or adventure elements.
This 1918 film is a historical depiction of a real event, not a narrative with established characters from source material or prior installments. Therefore, the concept of a 'gender swap' as defined does not apply.
This 1918 film documents a historical event, likely featuring real Serbian soldiers. There are no established fictional characters or historical figures whose race could have been altered from a prior canon or historical record, making a race swap inapplicable.
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