Traditional
7.1
Border
(1997)
Political: Strong Right
Diversity: Low
Shahenshah Babar (1944)
Shahenshah Babar (1944)
Overview
Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Hinduism: Positive
Islam: Positive
Viewer Rating
Not Rated
Overview
Following his conquest of India, Emperor Babar faces a crisis of loyalty among his troops and nobles. His most devoted subject, Sardar Sheikh, faces a dilemma when his daughter, Hamida, falls in love with Prince Humayun. Sheikh sends Hamida away, prompting Babar to intervene. However, a great sacrifice is ultimately demanded of the Emperor to save his son and reconcile the conflict.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject, a historical drama about the founder of an empire, does not inherently align with a specific modern political ideology in the US context. It likely focuses on the complexities of leadership and historical events rather than promoting a particular left or right-wing viewpoint.
The movie, a historical drama about the founder of the Mughal Empire, features casting appropriate to its historical and geographical setting. Its narrative focuses on historical events and figures without explicitly critiquing traditional identities from a modern DEI perspective.
Secondary
While depicting the historical conflicts of conquest, the film portrays the Hindu populace and their traditions with respect. The narrative avoids demonizing Hinduism, instead focusing on the political and military aspects of the era, thereby affirming the dignity of the indigenous faith and its adherents.
The film centers on Shahenshah Babar, a Muslim ruler, portraying his life, conquests, and the establishment of the Mughal Empire. Islam is depicted as the foundational faith of the protagonist and his dynasty, presented with respect and as integral to his character and historical narrative.
Based on the information provided for 'Shahenshah Babar', there are no identifiable LGBTQ+ characters or themes present. Consequently, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film "Shahenshah Babar" is a historical drama that does not include any identifiable transsexual characters or themes. Its narrative focuses on the life and reign of the Mughal emperor Babur, without engaging with transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film is a historical drama centered on the Mughal emperor Babur. There is no available information or historical record indicating that any canonically or historically established characters were portrayed with a different gender in this 1944 production.
The film depicts Babur, a historical Turco-Mongol (Central Asian) figure. While the specific cast details are scarce for this 1944 Indian production, it is highly probable that actors of South Asian descent portrayed the characters. A shift from Central Asian to South Asian ethnicity is not considered a 'race swap' under the provided definition, as both fall within the broader 'Asian' racial category.
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