Viewer Rating
Combines user and critic ratings from four sources

Shaitaan (2024)
Kabir and his family's fun weekend retreat takes terrifying turn when an intruder takes over the control of the body of his teenage daughter, putting her at the mercy of his increasingly sinister orders.
Kabir and his family's fun weekend retreat takes terrifying turn when an intruder takes over the control of the body of his teenage daughter, putting her at the mercy of his increasingly sinister orders.
The film centers on a family's struggle against a malevolent supernatural force, focusing on universal themes of protection and confronting evil. Its narrative primarily explores psychological terror and the lengths a parent will go to safeguard loved ones, without explicitly promoting specific political ideologies.
The film features a traditional cast for its cultural context. Its narrative does not critically portray traditional identities, nor are DEI themes central to the story.
The film centers on a nuclear family's intense struggle against an external, malevolent force, emphasizing the unwavering bond between husband and wife and the protective instincts of parents towards their children. This narrative reinforces the resilience and importance of the family unit.
There is not enough publicly available information for AI to assess this category for this movie.
Shaitaan does not feature identifiable transsexual characters or explore related themes within its narrative. The film's story focuses on other aspects, with no plot points or character arcs involving transsexual identity.
The movie does not contain any action or adventure elements.
Shaitaan (2024) is a remake of the Gujarati film Vash (2023). The primary characters in Shaitaan, including the family members and the antagonist, retain the same genders as their established counterparts in the original source material. No instances of characters previously established as one gender being portrayed as a different gender are present.
No race swaps are identified in Shaitaan (2024). The film does not appear to be an adaptation of existing source material with pre-established character races, nor does it portray historical figures whose race is documented.
Combines user and critic ratings from four sources























