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Documentary • 2025 • 75 min

She is a 75-minute Italian documentary following women who work long shifts at a large electronics factory in Vietnam. Director Parsifal Reparato uses a choral approach, weaving together multiple voices to show how these workers carry both industrial quotas and domestic responsibilities. The film frames their situation within global supply chains, treating the factory floor as a lens for examining labor, gender, and economic migration. That framing earns the Leans Progressive label. The documentary foregrounds female workers as a class shaped by patriarchal structures, and it treats the overlap of wage work and family duty as a systemic condition rather than a personal choice. Family values read as Mixed, since providing for family drives these women forward, though at considerable personal cost.
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She is a 75-minute Italian documentary following women who work long shifts at a large electronics factory in Vietnam. Director Parsifal Reparato uses a choral approach, weaving together multiple voices to show how these workers carry both industrial quotas and domestic responsibilities. The film frames their situation within global supply chains, treating the factory floor as a lens for examining labor, gender, and economic migration. That framing earns the Leans Progressive label. The documentary foregrounds female workers as a class shaped by patriarchal structures, and it treats the overlap of wage work and family duty as a systemic condition rather than a personal choice. Family values read as Mixed, since providing for family drives these women forward, though at considerable personal cost.
N/A
The documentary centers on Vietnamese women employed in a massive electronics factory, portraying their long shifts and overlapping domestic responsibilities as part of broader global production systems. It uses re-enactments to underscore the mechanical demands placed on this predominantly female workforce.
The documentary centers on Vietnamese women employed in a massive electronics factory, using interviews and stylized recreations to examine their daily routines, surveillance, and working conditions within global supply chains.
The documentary portrays women factory workers prioritizing economic provision for their families, often at the expense of personal health and time with loved ones.
She (2025) examines the daily realities of Vietnamese women employed in a large electronics factory, highlighting their overlapping identities as mothers, daughters, wives, migrants, and workers within a patriarchal system. The documentary contains no LGBTQ+ characters or themes.
She offers no transgender characters or themes, centering instead on the daily realities of Vietnamese women employed in a large electronics factory and their overlapping roles as workers, mothers, and migrants.
The movie does not contain any action or adventure elements.
She (2025) is a documentary that follows Vietnamese women employed at a major electronics factory and explores their overlapping roles as mothers, daughters, wives, migrants, and residents. No established characters from source material or historical record appear with altered genders on screen.
She is a documentary depicting Vietnamese women employed at an electronics factory in Vietnam. The film presents real individuals from the documented workforce without recasting any established characters from prior source material, historical records, or previous adaptations into a different racial category.
Not depicted.
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