Leans Traditional
0.0
L'industrie des éponges
(1912)
Political: Center
Diversity: Low
Sousse – Olive Harvest (1910)
Sousse – Olive Harvest (1910)
Overview
We see views of olive trees, women in the village, a street scene, a mosque, and the central marketplace with many passersby. Chikli's camera captures the narrow streets and whitewashed houses. We move to the olive grove, where children in the trees shake the branches and pick the olives. A boy smiles mischievously at the moving camera but we also feel the difficulty and intense repetition of his labor. A donkey carries baskets of olives. Men stand in line on a dirt road to receive their payment.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Islam: Positive
Judaism: Positive
Viewer Rating
Not Rated
Overview
We see views of olive trees, women in the village, a street scene, a mosque, and the central marketplace with many passersby. Chikli's camera captures the narrow streets and whitewashed houses. We move to the olive grove, where children in the trees shake the branches and pick the olives. A boy smiles mischievously at the moving camera but we also feel the difficulty and intense repetition of his labor. A donkey carries baskets of olives. Men stand in line on a dirt road to receive their payment.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is an early documentary depicting the process of olive harvesting in Sousse, Tunisia, focusing on agricultural labor and traditional practices without presenting a discernible political problem or advocating for any specific ideological solution.
The film features a cast reflecting the local Tunisian population engaged in olive harvesting, which provides visible diversity. Its narrative maintains a neutral, observational tone, without explicitly critiquing or negatively portraying traditional identities.
Secondary
The film observes the local Muslim population of Sousse engaged in the traditional olive harvest. By presenting these adherents in their daily work with a straightforward, non-judgmental, and observational lens, the film implicitly conveys respect for their labor and way of life, affirming their dignity.
The film, being a 'picturesque' travelogue, portrays Jewish adherents and practices as an integral and dignified aspect of Tripoli's rich cultural tapestry, presenting them without critical commentary and aligning with the city's overall visual appeal.
The 1927 documentary film "Sousse – Olive Harvest" focuses on agricultural practices and local life in Tunisia. It does not feature any identifiable LGBTQ+ characters or themes, therefore there is no portrayal to evaluate within the scope of this framework.
Based on the provided information, 'Across the Mountain Passes of New Zealand' does not feature any identifiable transsexual characters or themes. Therefore, there is no portrayal to evaluate regarding transgender identity or experiences within the film's narrative.
The movie does not contain any action or adventure elements.
This 1910 film is a documentary-style short depicting an olive harvest. It does not feature named characters with pre-established canonical or historical genders that could be subject to a gender swap.
This 1910 film is a short, likely documentary-style work depicting an olive harvest. It does not feature established characters from prior canon or specific historical figures whose race could be canonically or historically altered.
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