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Combines user and critic ratings from four sources
Music, Drama • 1977 • 92 min

This 1977 Soviet film captures the Bolshoi Ballet's celebrated staging of Yuri Grigorovich's 'Spartacus,' set to Khachaturian's score. The story follows the Roman slave who leads a rebellion against his oppressors, told entirely through dance. The Leans Progressive label follows naturally from the material. A revolutionary uprising against imperial tyranny is the whole point, and Soviet cultural institutions were happy to frame it that way. Balancing that is the love story between Spartacus and Phrygia, portrayed as a devoted, committed heterosexual bond, which pulls the overall reading back toward center. No religious, LGBTQ, or identity politics signals are present. The label rests almost entirely on the class-struggle framing built into the source story itself.
Vladimir Vasilev • Natalia Bessmertnova • Maris Liepa
This 1977 Soviet film captures the Bolshoi Ballet's celebrated staging of Yuri Grigorovich's 'Spartacus,' set to Khachaturian's score. The story follows the Roman slave who leads a rebellion against his oppressors, told entirely through dance. The Leans Progressive label follows naturally from the material. A revolutionary uprising against imperial tyranny is the whole point, and Soviet cultural institutions were happy to frame it that way. Balancing that is the love story between Spartacus and Phrygia, portrayed as a devoted, committed heterosexual bond, which pulls the overall reading back toward center. No religious, LGBTQ, or identity politics signals are present. The label rests almost entirely on the class-struggle framing built into the source story itself.
Vladimir Vasilev • Natalia Bessmertnova • Maris Liepa
The film's central narrative explicitly champions a revolutionary uprising of the oppressed against a tyrannical empire, portraying a heroic struggle for liberation and class justice.
This Soviet ballet film from 1977 features traditional casting for its era and genre, with no evident intentional race or gender swaps of historically European roles. The narrative, depicting a slave rebellion against Roman oppressors, frames the antagonists negatively due to their historical role as slave owners, rather than through a modern DEI critique of traditional identities.
The film portrays the central relationship between Spartacus and Phrygia as a deeply committed, exclusive, and enduring heterosexual partnership, serving as an idealized bond and a source of strength amidst adversity. While lacking depictions of a traditional home, children, or extended family, the narrative strongly affirms fidelity and a lifelong-like commitment.
The 1977 Soviet ballet film 'Spartacus' does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on the historical slave revolt, the lead characters Spartacus and Phrygia, and their struggle against Roman general Crassus, without exploring queer identities or relationships.
The film "Spartacus, 1977" is a ballet adaptation set in ancient Rome, depicting the historical slave revolt. Its narrative and character arcs focus on themes of war, freedom, and love within a historical context. There are no identifiable transsexual characters or themes present in the film's storyline or character portrayals.
The movie does not contain any action or adventure elements.
The film adapts the historical figure Spartacus and the ballet, portraying all major characters, including Spartacus, Phrygia, and Crassus, with their historically and canonically established genders. No instances of a character's gender being changed from source material or history are present.
The film is a ballet adaptation of the historical figure Spartacus and other Roman-era characters. All major roles are portrayed by actors whose race aligns with the historical and canonical understanding of these figures.
Not depicted in the film.
Combines user and critic ratings from four sources























