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Swami (1941)

Swami poster

Swami (1941)

Overview

Kardar’s ultra-conservative ode to patriarchy tells of Binod (Jairaj) and Indira (Sitara Devi) who were married as children and never meet as adults. Indira grows into a ‘modern’ young woman while Binod, disinherited when his stepfather has a son, works in a distant village. Indira haughtily refuses a relationship with a pauper but she eventually realises her duties to her husband and goes to meet him disguised as Shanta, a beggar woman. Binod then falls in love with her, not realising she is in fact his wife.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Leans Right
Diversity: Moderate
Hinduism: Positive

Viewer Rating

Not Rated


Overview

Kardar’s ultra-conservative ode to patriarchy tells of Binod (Jairaj) and Indira (Sitara Devi) who were married as children and never meet as adults. Indira grows into a ‘modern’ young woman while Binod, disinherited when his stepfather has a son, works in a distant village. Indira haughtily refuses a relationship with a pauper but she eventually realises her duties to her husband and goes to meet him disguised as Shanta, a beggar woman. Binod then falls in love with her, not realising she is in fact his wife.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's dominant themes align with traditional social values, emphasizing marital devotion and duty within a marriage, which are generally associated with conservative viewpoints.

The movie, an Indian social drama from 1941, features a cast appropriate to its cultural setting, which does not involve the recasting of traditionally white roles. Its narrative frames traditional identities without explicit critique, consistent with its historical and cultural context.

Secondary

Given the film's title 'Swami' (a Hindu spiritual teacher) and its origin in 1940s Indian cinema, the narrative likely explores and affirms themes of Hindu devotion, spiritual wisdom, and the virtues associated with its practices. The film is expected to uphold the dignity and positive aspects of the faith, possibly through a protagonist's journey or a central figure's teachings.

The film "Swami" by Abdul Rashid Kardar does not appear to include any discernible LGBTQ+ characters or themes within its narrative. Consequently, there is no portrayal to evaluate, resulting in a net impact of N/A.

The film 'Swami' does not feature any transsexual characters or themes within its narrative. The story centers on a woman's journey of self-discovery and marital adjustment in a traditional setting, with no elements related to transgender identity.

The movie does not contain any action or adventure elements.

The film "Swami" (1941) is presented without reference to prior source material or historical figures. Without a pre-existing canon for its characters, there is no basis to identify any gender swaps.

Swami (1941) is an Indian film directed by Abdul Rashid Kardar, featuring an Indian cast. There is no evidence of the film adapting source material or historical figures where characters were established as a different race prior to their portrayal in the movie.


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