7.5
Viewer Rating
Combines user and critic ratings from four sources
Take the Money and Run (1969)
Take the Money and Run (1969)
Overview
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.5
Overview
Virgil Starkwell is intent on becoming a notorious bank robber. Unfortunately for Virgil and his not-so-budding career, he is completely incompetent.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, a bumbling criminal's life, is treated with absurdist comedy rather than serious political commentary, resulting in a neutral stance on societal or governmental issues.
The movie features traditional casting with a predominantly white ensemble, consistent with its era and director's style. Its narrative, a comedic mockumentary, does not engage with or critique traditional identities, nor does it incorporate explicit DEI themes.
Secondary
The film "Take the Money and Run" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on the comedic exploits of a heterosexual protagonist and his relationships, resulting in no depiction of queer identity.
This film does not feature any identifiable transsexual characters or themes within its narrative. Consequently, no specific portrayal, whether positive, negative, or neutral, can be evaluated based on the provided rubric.
The movie does not contain any action or adventure elements.
Take the Money and Run is an original film with characters created specifically for this production. There is no prior source material, historical basis, or previous installments from which characters' genders could have been established and subsequently changed.
This film is an original mockumentary with fictional characters created for the movie. There is no prior source material, historical figures, or established canon from which characters' races could be altered.
Viewer Rating Breakdown
User Ratings
7.2
7.1
Critic Ratings
9.1
6.7
More Like This
Leans Traditional
6.7
Small Time Crooks
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.0
Bullets Over Broadway
(1994)
Political: Center
Diversity: Low
Traditional
6.6
Deathtrap
(1982)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.0
After the Thin Man
(1936)
Political: Center
Diversity: Low
Leans Traditional
8.2
Broadway Danny Rose
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.9
Sleeper
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Shot in the Dark
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.1
Confessions of a Dangerous Mind
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Return of the Pink Panther
(1975)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.1
Bananas
(1971)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Looney, Looney, Looney Bugs Bunny Movie
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.2
Song of the Thin Man
(1947)
Political: Center
Diversity: Low
Leans Traditional
8.1
Adaptation.
(2002)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Thin Man
(1934)
Political: Center
Diversity: Low
Leans Traditional
6.6
We're No Angels
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.2
Matchstick Men
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.7
To Die For
(1995)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
6.9
Quick Change
(1990)
Political: Leans Right
Diversity: Low