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Tazza: The High Rollers (2006)
Go-ni tries his best to worship Pyung Gyung-jang as his teacher, and promises to stop gambling after winning his money back. But people's desires are endless.
Go-ni tries his best to worship Pyung Gyung-jang as his teacher, and promises to stop gambling after winning his money back. But people's desires are endless.
The film's central subject matter of gambling and the criminal underworld is largely apolitical, and while it critiques the destructive nature of greed, its narrative champions individual agency and the personal choice to escape a corrupt system rather than advocating for systemic change.
The film features a cast consistent with its South Korean origin, without incorporating explicit race or gender swaps of roles traditionally defined in a Western context. Its narrative centers on male characters in a crime drama, and it does not present a critical portrayal of traditional identities or explicitly integrate DEI themes.
The film "Tazza: The High Rollers" does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses exclusively on heterosexual relationships and the world of high-stakes gambling, with no elements pertaining to queer identity or experiences.
The film "Tazza: The High Rollers" does not feature any identifiable transsexual characters or themes. The narrative focuses on high-stakes gambling and criminal underworld dynamics, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "Tazza: The High Rollers" is an adaptation of a manhwa series. A review of its main characters against their source material counterparts reveals no instances where a character's established gender was changed for the film.
The film is an adaptation of a South Korean manhwa. All major characters, originally depicted as East Asian in the source material, are portrayed by East Asian actors in the film, consistent with the story's origin and setting.
Combines user and critic ratings from four sources























