6.4
Viewer Rating
Combines user and critic ratings from four sources
The Affairs of Martha (1942)
The Affairs of Martha (1942)
Overview
Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.4
Overview
Members of a well-to-do small community become worried when it is revealed that one of their maids is writing a telling exposé.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film satirizes social hypocrisy and the foibles of the wealthy through a comedic mystery, focusing on individual character flaws and the sensationalism of gossip rather than advocating for specific political solutions or systemic change, leading to a neutral rating.
The movie features traditional casting practices prevalent in the 1940s, with a predominantly white cast and no evidence of intentional race or gender swaps. Its narrative does not critique traditional identities, instead offering a neutral or positive framing consistent with the period's filmmaking conventions.
Secondary
The film 'The Affairs of Martha' does not contain any discernible LGBTQ+ characters or themes within its plot, which centers on a maid's interactions with her employers and the consequences of her revealing memoir.
The film "The Affairs of Martha" (1942) does not feature any identifiable transsexual characters or themes. Its narrative focuses on a maid's tell-all book and the reactions of her employers, without engaging with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
The Affairs of Martha (1942) is an original film based on a story by I.A.R. Wylie. It does not adapt pre-existing characters from other media or historical figures, thus lacking a baseline for gender comparison.
The Affairs of Martha is an original film from 1942, not an adaptation of prior source material or a depiction of historical figures. Therefore, no characters had a pre-established race that could have been changed.
Viewer Rating Breakdown
User Ratings
6.6
6.2
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.7
How to Succeed in Business Without Really Trying
(1967)
Political: Center
Diversity: Low
Leans Traditional
7.6
Guys and Dolls
(1955)
Political: Center
Diversity: Low
Leans Traditional
8.6
Top Hat
(1935)
Political: Center
Diversity: Low
Leans Traditional
6.9
Miss Pettigrew Lives for a Day
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Metropolitan
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.8
(500) Days of Summer
(2009)
Political: Center
Diversity: Low
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.1
Irma la Douce
(1963)
Political: Center
Diversity: Low
Leans Traditional
8.4
Sideways
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.3
The Band Wagon
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.3
Girl Shy
(1924)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Traditional
7.9
Holiday Inn
(1942)
Political: Leans Right
Diversity: Low
Leans Traditional
6.9
Being Julia
(2004)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
An American in Paris
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mask
(1994)
Political: Center
Diversity: Low
Leans Traditional
8.4
The General
(1926)
Political: Center
Diversity: Low
Leans Traditional
7.5
Operation Petticoat
(1959)
Political: Center
Diversity: Low
Leans Traditional
6.9
Romance
(1962)
Political: Center
Diversity: Low