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The Apple (1980)
In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.
In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.
The film critiques corporate control over culture and the suppression of individuality, championing rebellion and authenticity against a superficial, conformist society. Its left-leaning bias stems from its core conflict and the radical, anti-establishment solution it presents.
The movie features a predominantly white main cast, consistent with mainstream casting practices of its time, and does not include explicit race or gender swaps for traditional roles. Its narrative focuses on critiquing a dystopian society and the music industry, rather than explicitly portraying traditional identities negatively.
The film employs a clear Christian allegory, featuring characters named Adam and Eve, themes of temptation and salvation, and a literal divine rapture. It portrays characters embodying Christian virtues positively and affirms a belief in a higher power and redemption.
The film "The Apple" does not feature any explicitly identifiable LGBTQ+ characters or themes. The narrative focuses on a dystopian music competition and its participants, without engaging with queer identities or experiences within its plot or character arcs.
The film "The Apple" (1980) does not feature any identifiable transsexual characters or themes. Its narrative focuses on a futuristic music competition and dystopian societal critique, without incorporating elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The Apple (1980) is an original musical science fiction film. It is not an adaptation of pre-existing material, nor does it feature historical figures or legacy characters from prior installments. All characters were created for this specific film, meaning no character's gender could have been established in prior canon.
The Apple (1980) is an original musical film, not an adaptation of pre-existing material or a biopic. All characters were created for this specific production, meaning there is no prior canonical or historical race for any character to be swapped from.
Combines user and critic ratings from four sources























