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The Beyond (1981)
A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.
A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell.
The film's central subject matter is supernatural horror and existential dread, which are inherently apolitical. Its narrative focuses on an inescapable ancient evil with no discernible political problem or solution, resulting in a neutral ideological stance.
The movie features a predominantly white European cast, consistent with its production era and genre. Its narrative focuses on supernatural horror without incorporating social commentary or explicit themes related to diversity, equity, or inclusion.
The film depicts a Christian mob, led by a priest, committing extreme violence (crucifixion) against a warlock, which directly triggers the film's supernatural horror. The narrative portrays this religious fanaticism as destructive and ultimately futile against the ancient evil.
The Beyond (1981) is a supernatural horror film that does not feature any discernible LGBTQ+ characters or themes. The plot centers on a woman inheriting a hotel built over a gate to hell, with the narrative primarily driven by atmospheric horror and gore rather than social or identity-based subplots.
The film 'The Beyond, 1981' does not feature any identifiable transsexual characters or themes. Its plot is centered on a woman inheriting a Louisiana hotel that turns out to be a gateway to hell, unleashing zombies and other horrors. Therefore, there is no portrayal of transsexual identity to evaluate within the film's narrative.
The movie does not contain any action or adventure elements.
The Beyond (1981) is an original film and not an adaptation of pre-existing material with established characters. Therefore, no characters exist from a prior canon or historical record whose gender could have been swapped.
The Beyond (1981) is an original horror film, not an adaptation or a historical biopic. Its characters were created for this specific movie, meaning there is no prior established canon or historical record for their race to be 'swapped' from.
Combines user and critic ratings from four sources























