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The Big Doll House (1971)
Female prisoners in a Philippine jail are being subjected to sadistic torture. Five of the women -- along with the help of two men -- plot an escape.
Female prisoners in a Philippine jail are being subjected to sadistic torture. Five of the women -- along with the help of two men -- plot an escape.
The film leans left by portraying a corrupt and abusive prison system and championing the rebellion of exploited women against their oppressors, emphasizing themes of anti-authoritarianism and the fight for individual freedom.
The film features visible diversity in its cast, typical for its genre and setting, without explicitly recasting traditionally white roles for DEI purposes. Its narrative critiques oppressive systems and power dynamics, often through negative portrayals of male authority figures, but this critique is more aligned with genre conventions than an explicit, central focus on traditional identities as a DEI theme.
The film features a sadistic lesbian guard and depicts same-sex relationships among prisoners, often for survival or exploitation. These portrayals reinforce harmful stereotypes and sensationalize queer identity within a degrading prison environment, resulting in a net negative impact.
The Big Doll House features Bodine, a transsexual woman, whose identity is primarily used for sensationalism within the exploitation genre. Her portrayal leans into harmful stereotypes, depicting her as an 'othered' figure in the women's prison. The film does not offer an affirming or empathetic view of her trans identity, instead using it to contribute to the film's gritty and often problematic atmosphere without critique.
The film features female prisoners, particularly Collier and Grear, who engage in direct physical combat against male prison guards during an escape attempt. These characters are shown to be victorious in close-quarters fights, using their strength and fighting skills to overcome their male opponents.
The Big Doll House is an original film from 1971, not an adaptation of pre-existing material or a depiction of historical figures. All characters were created for this movie, thus there are no instances of characters whose gender was established elsewhere being portrayed differently.
The Big Doll House is an original film from 1971, not an adaptation of prior source material or a depiction of historical figures. All characters were created for this specific movie, meaning there is no pre-existing canonical race to be altered.
Combines user and critic ratings from four sources























