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Combines user and critic ratings from four sources
Documentary, History, War • 2024 • 103 min • Teen (13+)

While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. At the heart of this film is the historic and inspiring moment – eight decades later – when the two come face-to-face. This is the first time the descendant of a major war criminal meets a survivor in such a private and intimate setting, Anita’s London living room. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens.
Hans-Jürgen Höss • Anita Lasker-Wallfisch • Adolf Hitler
While Hans Jurgen Höss enjoyed a happy childhood in the family villa at Auschwitz, Jewish prisoner Anita Lasker-Wallfisch was trying to survive the notorious concentration camp. At the heart of this film is the historic and inspiring moment – eight decades later – when the two come face-to-face. This is the first time the descendant of a major war criminal meets a survivor in such a private and intimate setting, Anita’s London living room. Together with their children, Kai Höss and Maya Lasker-Wallfisch, the four protagonists explore their very different hereditary burdens.
Hans-Jürgen Höss • Anita Lasker-Wallfisch • Adolf Hitler
The film explores the profound and enduring legacy of the Holocaust, focusing on the descendants of both perpetrators and survivors. It presents a humanistic examination of historical accountability and the imperative of remembrance, transcending partisan political divides.
The documentary explores the profound legacy of the Holocaust, presenting a critical examination of historical figures responsible for atrocities. The narrative directly portrays these individuals in a negative light, centering on their roles as villains in history.
The film explores the intergenerational impact of a parent's actions, depicting a family unit grappling with a dark legacy and challenging traditional notions of parental authority.
The film implicitly critiques the moral failures and complicity of a society predominantly identifying as Christian during the Holocaust. It highlights the actions and inactions of adherents and institutions that allowed or participated in the atrocities, without significant counterbalancing positive portrayals.
The film explores the profound impact of the Holocaust through the experiences of a survivor and the descendant of a commandant. This narrative approach inherently condemns the historical persecution of Jewish people, highlighting their suffering and affirming their dignity in the face of immense injustice. The film's focus on the 'shadow' of the past and the survivor's testimony underscores the gravity of the atrocities committed against the Jewish faith.
The film does not include any identifiable LGBTQ+ characters or explore related themes. The narrative focuses on historical events and figures without incorporating queer identities or experiences.
The Commandant's Shadow, 2024, explores historical themes without featuring any identifiable transsexual characters or related narratives. The film's focus remains on its documented subject matter, indicating no portrayal of transsexual identity within its scope. The absence of such elements means there are no character arcs or plot points concerning transsexual themes.
The movie does not contain any action or adventure elements.
The film features historical figures whose on-screen portrayals align with their documented genders. No characters established as one gender in historical records or source material are depicted as a different gender in the film.
The film features real historical figures and their descendants, including Hans-Jürgen Höss, Anita Lasker-Wallfisch, and Adolf Hitler. Their established racial identities are maintained in their portrayals. There are no instances where a character historically or canonically established as one race is depicted as a different race.
Combines user and critic ratings from four sources























