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The Containment (2025)
A girl is possessed by a dark and mysterious entity. She will fight with all the elements at her disposal to get rid of it. Neither her mother, nor traditional medicine, nor a supposed expert in exorcisms, will be able to make the demon disappear, until a nun gets involved in the case and sows a doubt more terrible than the possession itself.
A girl is possessed by a dark and mysterious entity. She will fight with all the elements at her disposal to get rid of it. Neither her mother, nor traditional medicine, nor a supposed expert in exorcisms, will be able to make the demon disappear, until a nun gets involved in the case and sows a doubt more terrible than the possession itself.
The film is expected to critique authoritarianism, systemic violence, and the containment of marginalized groups, aligning with progressive values through a humanistic lens rather than overt ideological polemics.
The movie primarily focuses on supernatural horror and psychological terror, with no explicit engagement with Diversity, Equity, and Inclusion themes in its narrative or marketing. While the cast includes some diverse actors, there is no indication that casting decisions were driven by specific DEI objectives.
The film portrays Christianity through the actions of a nun who actively confronts demonic evil. In the context of supernatural horror, the nun's role suggests that Christian faith and practices are depicted as a necessary and affirming force against malevolent supernatural entities.
Based on the available information, there are no details provided regarding the presence or portrayal of LGBTQ+ characters or themes in 'The Containment'. Therefore, an assessment of its net impact on LGBTQ+ representation cannot be made.
The Containment (2025) does not feature transsexual characters or address trans issues. Its narrative is solely focused on supernatural horror, demonic possession, and psychological terror, with no thematic or character-based representation of the transsexual community.
The movie does not contain any action or adventure elements.
The film is not based on pre-existing source material with established character genders, nor does it feature historical figures. Consequently, there is no canonical or historical baseline against which a character's on-screen gender could differ, indicating no gender swaps.
The film is an original story, not an adaptation of existing material with pre-established character races. Consequently, there is no prior canon to compare against, meaning no characters can be considered "race-swapped" according to the definition.
Combines user and critic ratings from four sources























