8.3
Viewer Rating
Combines user and critic ratings from four sources
The Coward (1965)
The Coward (1965)
Overview
Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
8.3
Overview
Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter of lost love and personal regret is inherently apolitical, and its narrative focuses on individual emotional struggles and acceptance rather than promoting or critiquing any specific political ideology.
The movie features an all-Indian cast, which is authentic to its setting and origin, and does not involve explicit recasting of traditionally white roles. The narrative focuses on personal drama and does not explicitly critique traditional identities or center on DEI themes.
Secondary
Satyajit Ray's 1965 film 'The Coward' is a romantic drama focused on a heterosexual relationship and its complexities. The narrative does not feature any identifiable LGBTQ+ characters, themes, or storylines, leading to no portrayal of queer identity within the film's content.
The film 'The Coward' (Kapurush) by Satyajit Ray is a romantic drama centered on a screenwriter's encounter with a past love. The narrative does not feature any transsexual characters or explore related themes, thus rendering the portrayal 'N/A' as there is no depiction to evaluate.
The movie does not contain any action or adventure elements.
The Coward (1965) is an original film based on Satyajit Ray's own short story. There are no prior adaptations, historical figures, or legacy characters from other source materials whose gender could have been altered for this film.
This film is an original story by Satyajit Ray and not an adaptation of a pre-existing work with established characters, a biopic, or a reboot. Therefore, there is no prior canonical or historical racial baseline for its characters to be race-swapped from.
Viewer Rating Breakdown
User Ratings
7.6
7.2
Critic Ratings
10.0
N/A
More Like This
Center
8.3
Charulata
(1964)
Political: Center
Diversity: Moderate
Progressive
7.2
An Enemy of the People
(1990)
Political: Strong Left
Diversity: High
Leans Traditional
8.7
Apur Sansar
(1959)
Political: Center
Diversity: Low
Leans Progressive
8.5
Pyaasa
(1957)
Political: Strong Left
Diversity: Moderate
Center
6.8
Dil Se..
(1998)
Political: Center
Diversity: Moderate
Center
7.4
Jodhaa Akbar
(2008)
Political: Center
Diversity: Moderate
Center
8.4
The Music Room
(1958)
Political: Center
Diversity: Moderate
Leans Traditional
8.4
Jab We Met
(2007)
Political: Center
Diversity: Low
Center
8.6
Pather Panchali
(1955)
Political: Center
Diversity: Moderate
Leans Traditional
6.7
Hum Tum
(2004)
Political: Center
Diversity: Low
Center
8.1
Badhaai Ho
(2018)
Political: Center
Diversity: Moderate
Center
7.1
Mohabbatein
(2000)
Political: Center
Diversity: Moderate
Center
7.6
Sparsh
(1980)
Political: Center
Diversity: Moderate
Center
7.4
Rab Ne Bana Di Jodi
(2008)
Political: Center
Diversity: Moderate
Leans Traditional
7.0
Gadar: Ek Prem Katha
(2001)
Political: Leans Right
Diversity: Moderate
Leans Progressive
7.6
Aśoka
(2001)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
7.4
Chhichhore
(2019)
Political: Center
Diversity: Moderate
Leans Progressive
7.8
Veer-Zaara
(2004)
Political: Leans Left
Diversity: Moderate
Center
8.1
Sagara Sangamam
(1983)
Political: Center
Diversity: Moderate
Center
6.7
A Aa
(2016)
Political: Center
Diversity: Moderate