
The Cross of Fire (1915)
The Cross of Fire (1915)
Overview
A man becomes embittered with God when his wife dies and subsequently prohibits his daughter from attending church. The daughter defies her father and secretly continues to attend services. She is later saved from a potentially fatal situation an event which causes her father to have a change of heart and praise God for her safety.
Starring Cast
Rating & Dimensions
Not Rated
Overview
A man becomes embittered with God when his wife dies and subsequently prohibits his daughter from attending church. The daughter defies her father and secretly continues to attend services. She is later saved from a potentially fatal situation an event which causes her father to have a change of heart and praise God for her safety.
Starring Cast
Detailed Bias Analysis
Primary
Given the extreme lack of specific plot details for this 1916 silent film, and the common focus of such dramas on universal human experiences and moral dilemmas rather than explicit political ideology, the film is categorized as neutral.
This 1916 silent film features traditional casting with no apparent intentional race or gender swaps of roles. The narrative maintains a neutral or positive framing of traditional identities, consistent with films of its era.
Secondary
The film's narrative, through its title and historical context, appears to align with the Ku Klux Klan's perspective, portraying the 'cross of fire' as a symbol of their actions. By glorifying the KKK, who invoked distorted Christian ideology to justify violence and white supremacy, the film implicitly portrays Christianity as a tool for oppression and hate without offering a critical counter-narrative.
The film 'The Cross of Fire' (1916) does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a heterosexual romance and family conflict, with no elements suggesting queer identity or experiences, leading to a net impact rating of N/A.
The film 'The Cross of Fire' (1916) does not appear to feature any transsexual characters or themes. Historical records and plot synopses indicate a conventional drama focused on romantic entanglements and societal pressures, with no elements suggesting transgender identity.
The movie does not contain any action or adventure elements.
The Cross of Fire (1915) is an original film, not an adaptation of existing source material or historical events. Therefore, its characters do not have a pre-established canonical gender that could be swapped.
No information is available regarding source material or established character races for 'The Cross of Fire' (1915). Therefore, it is not possible to identify any instances where a character's race was changed from a prior canonical or historical depiction.
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