Viewer Rating
Combines user and critic ratings from four sources
Music, Documentary • 2002 • 223 min • Teen (13+)

The Cure: Trilogy is a 2002 documentary that captures the British band performing three of their albums—Pornography, Disintegration, and Bloodflowers—live in their entirety. As a concert film, it presents the real-life members performing on stage without any narrative elements or character development. The public bias label 'Leans Traditional' is a reflection of the content’s neutrality in addressing modern social and identity themes. With a focus on musical performance and the band’s established identity, it remains aligned with conventionally traditional portrayals without diverging into progressive or DEI themes.
Perry Bamonte • Jason Cooper • Simon Gallup • Roger O'Donnell
The Cure: Trilogy is a 2002 documentary that captures the British band performing three of their albums—Pornography, Disintegration, and Bloodflowers—live in their entirety. As a concert film, it presents the real-life members performing on stage without any narrative elements or character development. The public bias label 'Leans Traditional' is a reflection of the content’s neutrality in addressing modern social and identity themes. With a focus on musical performance and the band’s established identity, it remains aligned with conventionally traditional portrayals without diverging into progressive or DEI themes.
Perry Bamonte • Jason Cooper • Simon Gallup • Roger O'Donnell
This film is a concert documentary showcasing live musical performances, and it does not present any discernible political narrative, thematic agenda, or ideological stance.
This concert film features the band The Cure, whose members are all white males, reflecting the actual composition of the group. The nature of a concert film means there are no fictional roles for diverse casting, nor is there a narrative structure to incorporate or critique traditional identities or explore DEI themes.
The film is a concert documentary featuring a band's live performance and does not contain any narrative or character portrayals related to family structures, roles, or values, providing no basis for evaluation.
The film is a live concert recording of The Cure performing three of their albums. It focuses entirely on the musical performance and the band members on stage. There are no narrative elements, characters, or explicit themes related to LGBTQ+ identities presented within the film's content.
The film is a concert recording of The Cure's 'Trilogy' performances, showcasing the band's musical artistry. It does not feature narrative elements, characters, or thematic explorations of social issues, including those related to transsexual identity. The content is solely focused on the live musical performance.
The movie does not contain any action or adventure elements.
This concert film features the real-life members of the band The Cure performing. There are no fictional characters or historical figures whose established gender is altered in their on-screen portrayal.
The film is a concert documentary featuring the actual members of the band The Cure. These real-life individuals are portrayed as themselves, with their historical and established racial identities matching their on-screen appearances. No fictional characters or historical figures are recast with actors of a different race.
Not depicted in the film. The concert film focuses solely on musical performance.
Combines user and critic ratings from four sources






















