Viewer Rating
Combines user and critic ratings from four sources
Comedy, Drama, Romance • 1992 • 127 min • Adults (18+)

Argentine director Eliseo Subiela's 1992 film follows Oliveiro, a Buenos Aires poet who sells ad copy to survive and falls for Ana, a sex worker he meets in Montevideo. The story is a romantic fable about artistic purity versus commercial compromise, wrapped in surrealist imagery and frank sexuality. The Leans Progressive label fits naturally. The film treats unconventional relationships and sexual freedom as normal, even poetic. Traditional family structures are absent entirely. A bisexual character is portrayed with dignity inside an artistic milieu. The film's skepticism toward materialism and its celebration of bohemian life give it a quietly left-leaning cultural posture, consistent with Latin American art cinema of its era.
Darío Grandinetti • Sandra Ballesteros • Nacha Guevara
Argentine director Eliseo Subiela's 1992 film follows Oliveiro, a Buenos Aires poet who sells ad copy to survive and falls for Ana, a sex worker he meets in Montevideo. The story is a romantic fable about artistic purity versus commercial compromise, wrapped in surrealist imagery and frank sexuality. The Leans Progressive label fits naturally. The film treats unconventional relationships and sexual freedom as normal, even poetic. Traditional family structures are absent entirely. A bisexual character is portrayed with dignity inside an artistic milieu. The film's skepticism toward materialism and its celebration of bohemian life give it a quietly left-leaning cultural posture, consistent with Latin American art cinema of its era.
Darío Grandinetti • Sandra Ballesteros • Nacha Guevara
The film's left-leaning rating stems from its central critique of societal materialism and its championing of artistic freedom and unconventional lifestyles as a solution to existential emptiness, aligning with progressive values.
The movie utilizes traditional casting consistent with its time and setting, without explicit DEI-driven choices. Its narrative explores existential and romantic themes, rather than critiquing traditional identities or centering on DEI themes.
The film features Ana, a lesbian/bisexual poet, as a complex and dignified character. Her sexual orientation is presented as an accepted part of her identity within the artistic community, without being a source of mockery or negative stereotypes. The portrayal is respectful, contributing to the film's themes rather than being a focus of conflict, resulting in a net positive impact.
The film portrays unconventional romantic relationships and normalizes sexual freedom, with no depiction or endorsement of traditional family structures, marriage, or parenting roles. Its narrative centers on individual desire and non-traditional partnerships.
The film does not feature any identifiable transsexual characters or themes. The narrative centers on a poet's search for an ideal woman, exploring themes of love, poetry, and death within heterosexual relationships. No elements related to gender identity or transition are present in the story or character arcs.
The movie does not contain any action or adventure elements.
The film is an original work with characters created specifically for this production. There are no pre-existing characters from source material, prior adaptations, or historical records whose gender could have been altered.
The film is an original work with characters created specifically for this production. There is no prior source material, historical record, or previous installment from which characters' races were established to allow for a race swap.
Not depicted in the film.
Combines user and critic ratings from four sources























