6.1
Viewer Rating
Combines user and critic ratings from four sources
The Dead and the Deadly (1982)
The Dead and the Deadly (1982)
Overview
Wah Li, known as Fat Boy to his friends, lives with his great-uncle the priest (Uncle). Together with his oddball friends Lai Li and Momo, Wah Li helps Uncle to run the local funeral services. When the body Ma Lun Chio is brought back to the village by a new wife and her "brother", Wai Li is suspicious. He sets out to find out how his friend died, but things are not what they seem.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
6.1
Overview
Wah Li, known as Fat Boy to his friends, lives with his great-uncle the priest (Uncle). Together with his oddball friends Lai Li and Momo, Wah Li helps Uncle to run the local funeral services. When the body Ma Lun Chio is brought back to the village by a new wife and her "brother", Wai Li is suspicious. He sets out to find out how his friend died, but things are not what they seem.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's core subject matter, which revolves around supernatural horror, martial arts, and comedy, is inherently apolitical. Its narrative focuses on personal conflicts and solutions within a genre framework, lacking any discernible promotion or critique of specific political ideologies.
This 1982 Hong Kong martial arts horror comedy features a cast that is culturally appropriate for its setting, without explicit DEI-driven casting interventions. Its narrative focuses on genre conventions and does not engage in critical portrayals of traditional identities or explicit DEI themes.
Secondary
The Dead and the Deadly is a Hong Kong horror-comedy film that does not feature any discernible LGBTQ+ characters or themes. The narrative focuses on supernatural events and martial arts, with no elements related to queer identity or experiences.
The film "The Dead and the Deadly" (1982) does not feature any identifiable transsexual characters or themes. The narrative focuses on a man haunted by a ghost after an accidental death, with no elements related to transgender identity or experiences.
The film features a female ghost who engages with and defeats male characters using supernatural abilities. However, no female character is depicted winning close-quarters physical combat against male opponents through martial arts, skill, or strength.
The Dead and the Deadly (1982) is an original film with no prior source material, historical figures, or legacy characters. All characters were created for this production, meaning there is no pre-established gender to swap from.
The film "The Dead and the Deadly" (1982) is an original Hong Kong production. Its characters were created for this specific film and do not have prior canonical or historical racial establishments that differ from their on-screen portrayals.
Viewer Rating Breakdown
User Ratings
6.3
5.9
Critic Ratings
N/A
N/A
More Like This
Center
6.9
Encounters of the Spooky Kind
(1980)
Political: Center
Diversity: Moderate
Leans Traditional
6.7
Mr. Vampire III
(1987)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.5
Mr. Vampire
(1985)
Political: Leans Right
Diversity: Moderate
Center
8.0
Kung Fu Hustle
(2004)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
6.8
A Chinese Ghost Story II
(1990)
Political: Center
Diversity: Low
Female Combat: Yes
Center
7.1
The Miracle Fighters
(1982)
Political: Center
Diversity: Low
Female Combat: Yes
Center
6.7
The Seventh Curse
(1986)
Political: Center
Diversity: Moderate
Center
7.0
Dragons Forever
(1988)
Political: Center
Diversity: Moderate
Center
6.9
Who Am I?
(1998)
Political: Center
Diversity: Moderate
Center
6.8
All for the Winner
(1990)
Political: Center
Diversity: Moderate
Center
7.1
Buddha's Palm
(1982)
Political: Center
Diversity: Moderate
Female Combat: Yes
Leans Progressive
7.7
The Legend
(1993)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
7.2
God of Gamblers
(1989)
Political: Center
Diversity: Moderate
Leans Traditional
6.7
Last Hero in China
(1993)
Political: Center
Diversity: Moderate
LGBTQ: Negative
Center
7.5
Project A
(1983)
Political: Center
Diversity: Moderate
Leans Progressive
7.3
Peking Opera Blues
(1986)
Political: Leans Left
Diversity: Moderate
Female Combat: Yes
Center
7.0
The Young Master
(1980)
Political: Center
Diversity: Moderate
Center
7.5
Shaolin Soccer
(2001)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
6.7
Legend of the Red Dragon
(1994)
Political: Center
Diversity: Moderate
Female Combat: Yes
Center
6.6
Contract Killer
(1998)
Political: Center
Diversity: Moderate