2.0
Viewer Rating
Combines user and critic ratings from four sources
The Death-Bell (1917)
The Death-Bell (1917)
Overview
Early Hungarian feature directed by Michael Curtiz
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
2.0
Overview
Early Hungarian feature directed by Michael Curtiz
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's content, themes, and narrative are entirely unknown, precluding any assessment of political bias. Therefore, a neutral rating is assigned due to the absence of discernible ideological messaging.
This 1914 silent film, consistent with its historical context, features traditional casting without explicit diversity initiatives. Its narrative does not present any critical framing of traditional identities or incorporate explicit DEI themes.
Secondary
Based on the provided information, 'The Death-Bell' does not feature any identifiable LGBTQ+ characters or themes. Consequently, its net impact on LGBTQ+ portrayal is N/A, as there are no elements to evaluate.
Based on available plot summaries and historical information, "The Death-Bell" (1917) is a melodrama centered on a forced marriage and a love triangle. There are no identifiable transsexual characters or themes present in the film's narrative.
The movie does not contain any action or adventure elements.
No information is available regarding prior source material or historical figures for "The Death-Bell" (1917) that would establish canonical genders for its characters before this film's release. Therefore, no gender swaps can be identified.
No information is provided regarding the source material or specific characters of 'The Death-Bell' (1917) to establish a baseline race. Without this, it is impossible to determine if any character was canonically, historically, or widely established as one race and then portrayed as another.
Viewer Rating Breakdown
User Ratings
4.0
N/A
Critic Ratings
N/A
N/A
More Like This
Traditional
6.7
The Charge of the Light Brigade
(1936)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Young Man with a Horn
(1950)
Political: Center
Diversity: Low
Traditional
6.9
Francis of Assisi
(1961)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
Mildred Pierce
(1945)
Political: Center
Diversity: Low
Traditional
7.0
White Christmas
(1954)
Political: Leans Right
Diversity: Low
Traditional
8.0
The Sea Hawk
(1940)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
We're No Angels
(1955)
Political: Center
Diversity: Low
Leans Traditional
8.4
The African Queen
(1952)
Political: Center
Diversity: Low
Traditional
8.5
High Noon
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
8.3
The Elephant Man
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.9
Sleeper
(1973)
Political: Center
Diversity: Low
Traditional
8.6
Strangers on a Train
(1951)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
6.9
Fall
(2022)
Political: Center
Diversity: Low
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Traditional
6.7
Phone Booth
(2003)
Political: Leans Right
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.5
First Blood
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.3
The Last Unicorn
(1982)
Political: Center
Diversity: Low
Leans Traditional
7.3
When I Grow Up
(1951)
Political: Center
Diversity: Low
Leans Traditional
6.6
Brothers
(2009)
Political: Center
Diversity: Low