6.9
Viewer Rating
Combines user and critic ratings from four sources
The Debt (2010)
The Debt (2010)
Overview
Rachel Singer is a former Mossad agent who tried to capture a notorious Nazi war criminal – the Surgeon of Birkenau – in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must return to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Judaism: Positive
Viewer Rating
6.9
Overview
Rachel Singer is a former Mossad agent who tried to capture a notorious Nazi war criminal – the Surgeon of Birkenau – in a secret Israeli mission that ended with his death on the streets of East Berlin. Now, 30 years later, a man claiming to be the doctor has surfaced, and Rachel must return to Eastern Europe to uncover the truth. Overwhelmed by haunting memories of her younger self and her two fellow agents, the still-celebrated heroine must relive the trauma of those events and confront the debt she has incurred.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around the moral burden of a state-sanctioned lie and the eventual pursuit of truth and individual accountability. Its focus on universal themes of justice, deception, and personal integrity, rather than specific political ideologies, places it in a neutral position.
The film features a predominantly traditional cast without explicit race or gender swaps of established roles. The narrative focuses on a spy thriller plot involving Mossad agents and a Nazi war criminal, and does not present a critical portrayal of traditional identities or incorporate explicit DEI themes.
Secondary
The film portrays its Jewish Israeli protagonists with respect and depth, highlighting their dedication to justice in the aftermath of the Holocaust. Their mission is framed as a response to historical persecution, affirming the dignity and resilience of the Jewish people.
The film "The Debt" (2010), directed by John Madden, is a spy thriller focused on Mossad agents. There are no identifiable LGBTQ+ characters or themes present within the narrative. Therefore, the film does not offer any portrayal, positive or negative, of LGBTQ+ individuals or issues.
The film "The Debt" does not feature any transsexual characters or themes. Its storyline is entirely focused on a historical spy mission and its long-term consequences for the agents involved, without any elements related to transgender identity.
The movie does not contain any action or adventure elements.
The Debt (2010) is a remake of the 2007 Israeli film of the same name. All primary characters in the 2010 version maintain the same gender as their counterparts in the original source material. No established characters underwent a gender change.
The film is a remake of an Israeli movie, featuring Israeli Mossad agents and a German Nazi doctor. All main characters are portrayed by actors whose race aligns with their established or implied race from the source material and historical context, with no changes in racial depiction.
Viewer Rating Breakdown
User Ratings
6.8
6.6
Critic Ratings
7.7
6.5
More Like This
Leans Traditional
7.3
At Close Range
(1986)
Political: Center
Diversity: Low
Leans Traditional
7.2
The Deep End
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
Clean, Shaven
(1995)
Political: Center
Diversity: Low
Traditional
7.9
Cape Fear
(1962)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
They Drive by Night
(1940)
Political: Center
Diversity: Low
Traditional
6.8
Patriot Games
(1992)
Political: Leans Right
Diversity: Low
Leans Traditional
8.5
Fargo
(1996)
Political: Center
Diversity: Low
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.2
Clear and Present Danger
(1994)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.0
Enemy of the State
(1998)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.7
Stillwater
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.1
Inglourious Basterds
(2009)
Political: Center
Diversity: Low
Leans Traditional
8.2
Where the Sidewalk Ends
(1950)
Political: Center
Diversity: Low
Leans Traditional
7.9
Pig
(2021)
Political: Center
Diversity: Low
Leans Traditional
6.8
Chappaquiddick
(2018)
Political: Center
Diversity: Low
Leans Traditional
6.8
Archive
(2020)
Political: Center
Diversity: Low
Leans Traditional
6.7
Boiler Room
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.3
All the President's Men
(1976)
Political: Center
Diversity: Low
Traditional
6.8
Wrath of Man
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
The Last of Sheila
(1973)
Political: Center
Diversity: Low
LGBTQ: Neutral