Traditional
7.5
The Cold Summer of 1953
(1988)
Political: Leans Right
Diversity: Low
The Defendant (1985)
The Defendant (1985)
Overview
Anton Skulov, a war invalid, shot a drunk young man with a hunting rifle who climbed into his garden and ruined rare flowers that his wife, a war veteran, had grown before her death. The investigation was short-lived, the accused immediately admitted his guilt and was ready to stand trial, having already convicted himself of the murder.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
Not Rated
Overview
Anton Skulov, a war invalid, shot a drunk young man with a hunting rifle who climbed into his garden and ruined rare flowers that his wife, a war veteran, had grown before her death. The investigation was short-lived, the accused immediately admitted his guilt and was ready to stand trial, having already convicted himself of the murder.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
As a Soviet production, the film inherently promotes a state-centric vision of justice and collective responsibility, aligning its dominant themes with left-leaning values by emphasizing the proper functioning of a socialist legal system and the triumph of truth within that framework.
This 1953 Soviet drama features traditional casting reflective of its era, with no evidence of intentional race or gender swaps. The narrative focuses on legal and moral themes without critiquing traditional identities or incorporating explicit DEI themes.
Secondary
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film "The Defendant." Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
The film 'The Defendant' (1985) is a Soviet drama centered on a lawyer and a murder trial. There are no discernible transsexual characters or themes present in the narrative, resulting in a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
The film is an adaptation of a Soviet play. There is no evidence that any major character, canonically established as one gender in the source material, was portrayed as a different gender in the 1985 film adaptation.
There is no evidence that "The Defendant" (1985), a Soviet film based on a play, features any characters whose race was established in source material as one race and then portrayed as a different race on screen. The film's context and origin do not suggest any such changes.
More Like This
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low
Leans Traditional
6.6
In Broad Daylight
(1983)
Political: Center
Diversity: Low
Leans Progressive
6.7
Comrade Innokenti
(1981)
Political: Strong Left
Diversity: Low
Leans Traditional
7.2
The Precipice
(1984)
Political: Center
Diversity: Low
Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Leans Traditional
6.7
Descended from Heaven
(1987)
Political: Center
Diversity: Low
Leans Progressive
7.0
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
Leans Traditional
7.1
This is Us, God!..
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Idiot
(1991)
Political: Center
Diversity: Low
Center
9.0
Wintering Law
(1984)
Political: Center
Diversity: Moderate
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Traditional
7.5
Serafima Glyukina's Weekdays and Weekends
(1988)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.8
Time for Reflection
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
6.8
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Traditional
7.2
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low