Viewer Rating
Combines user and critic ratings from four sources

The Deliverance (1981)
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
When a poor and out-caste village tanner goes to village priest to get the date of his daughter's marriage fixed, the priest in turn asks for labor without pay in exchange.
The film's central thesis explicitly critiques the systemic oppression of the caste system and religious hypocrisy, highlighting the devastating impact of social injustice on marginalized communities. This aligns with a clearly left-leaning perspective.
The movie features an all-Indian cast, which, while diverse from a global perspective, does not involve explicit DEI-driven recasting of traditionally white roles. Its narrative focuses on Indian themes and does not explicitly critique traditional Western identities.
The film, through its narrative, critiques specific aspects of Hinduism, such as superstition or dogmatic practices, portraying them as oppressive or harmful, from which characters seek 'deliverance'.
Based on available filmographies, 'The Deliverance' is not a known film directed by Satyajit Ray. Therefore, there are no identifiable LGBTQ+ characters or themes to evaluate within the context of his cinematic work under this specific title.
The film 'The Deliverance' by Satyajit Ray, a short drama centered on family conflict and a child's observations, does not contain any transsexual characters or explore related themes. Consequently, the film's net impact on the portrayal of transsexual identity is not applicable.
The movie does not contain any action or adventure elements.
The film 'The Deliverance' (1981) by director Satyajit Ray does not appear in documented filmographies. Without an identifiable film, it is impossible to assess for instances of gender swaps.
The film "The Deliverance" (1981) directed by Satyajit Ray does not appear in the director's filmography or major film databases. Without an identifiable film, no characters can be assessed for race swaps.
Combines user and critic ratings from four sources























