Viewer Rating
Combines user and critic ratings from four sources

The Dinner (2025)
Spain, April 15, 1939. With the Civil War concluded, and with the intention of celebrating his victory, General Franco attends a dinner with his generals at the Palace Hotel.
Spain, April 15, 1939. With the Civil War concluded, and with the intention of celebrating his victory, General Franco attends a dinner with his generals at the Palace Hotel.
The film is left-leaning as its central narrative focuses on the struggle and escape of left-wing Republican protagonists against the brutal, victorious fascist regime of Franco's Spain, framed as a story of resistance and survival under authoritarian rule.
The movie demonstrates significant DEI by featuring strong female characters and focusing on the struggles of marginalized Republican and working-class individuals. Its narrative explicitly critiques traditional authoritarian power structures, portraying them negatively while centering the experiences and agency of the oppressed.
The film's plot, character descriptions, and thematic focus, as detailed in available information, do not mention any LGBTQ+ characters, relationships, themes, or subplots. Therefore, there is no identifiable LGBTQ+ content to evaluate for portrayal.
The film 'The Dinner, 2025' does not feature any transsexual characters or themes. Plot summaries and reviews consistently indicate that the narrative focuses on historical post-war tensions and character interactions among the service staff, with no elements related to gender or sexual transformation present in the story.
The movie does not contain any action or adventure elements.
The film features original characters created for its narrative, and there is no information indicating that any character was previously established with a different gender in source material or historical record.
The film is an adaptation of a play, but no prior source material established the race of its characters. The main actors are Spanish and align with the historical setting's predominant ethnicity, thus no character's race was changed from a previously established depiction.
Combines user and critic ratings from four sources























