5.5
Viewer Rating
Combines user and critic ratings from four sources
The End (1978)
The End (1978)
Overview
Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Center
Diversity: Low
LGBTQ: Negative
Christianity: Negative
Viewer Rating
5.5
Overview
Wendell Lawson has only six months to live. Not wanting to endure his last few months of life waiting for the end, he decides to take matters into his own hands and enlists the help of a delusional mental patient to help him commit suicide.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's political bias cannot be assessed due to the complete absence of information regarding its plot, characters, and thematic content. Therefore, a neutral rating is assigned as no evidence supports any specific ideological leaning.
The movie features a cast that is primarily traditional, without explicit race or gender swaps of established roles. Its narrative focuses on individual themes and does not critically portray traditional identities or center on explicit DEI themes.
Secondary
The film features Marlon, a character whose intense, unrequited affection for the protagonist carries strong homosexual undertones. His portrayal relies heavily on effeminate stereotypes and is primarily used for comedic relief, often at his expense. The narrative does not critique this depiction, resulting in a problematic and negative portrayal of queer identity.
The film portrays traditional Christian views on death, sin, and the afterlife through a darkly comedic and cynical lens. It depicts religious rituals and comfort as largely ineffectual or absurd in addressing the protagonist's profound existential dread, highlighting the perceived limitations of faith in the face of personal mortality.
The film "The End" (1978) does not feature any identifiable transsexual characters or themes. Its narrative focuses on a man's attempts to commit suicide after a terminal diagnosis, and his interactions with family and fellow patients in a mental institution.
The movie does not contain any action or adventure elements.
The End (1978) is an original film with characters created specifically for this production. There are no pre-existing canonical or historical characters whose gender could have been altered.
This is an original film from 1978, not an adaptation of existing material or a depiction of historical figures. Therefore, no characters have a pre-established race to be altered.
Viewer Rating Breakdown
User Ratings
6.1
5.5
Critic Ratings
5.6
4.6
More Like This
Leans Traditional
6.7
Pickled Pink
(1965)
Political: Center
Diversity: Low
Leans Traditional
6.7
PAW Patrol: The Movie
(2021)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.5
The Pink Panther in 'Pink at First Sight'
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.0
Maggie Simpson in "Playdate with Destiny"
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.6
In Bruges
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.3
Tiny Toon Adventures: How I Spent My Vacation
(1992)
Political: Center
Diversity: Low
Leans Traditional
6.8
You're the Greatest, Charlie Brown
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.4
Tom, Dick and Harry
(1941)
Political: Center
Diversity: Low
Leans Traditional
6.6
Mickey Saves Christmas
(2022)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Case
(1972)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Leans Traditional
6.9
A Flintstone Christmas
(1977)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Cat and the Canary
(1927)
Political: Center
Diversity: Low
Traditional
7.1
Plus One at an Amish Wedding
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
10.0
Sore
(2025)
Political: Center
Diversity: Low
Leans Traditional
6.9
Garfield Goes Hollywood
(1987)
Political: Center
Diversity: Low
Center
6.7
Muppets Most Wanted
(2014)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
6.6
Joshy
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral