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Documentary • 2013 • 64 min

This Argentine documentary, directed by Gustavo Fontán, follows a man who returns by boat to an island on the Paraná River, a place where his childhood home once stood. What he finds is absence. What he summons, through memory and grief, is everyone he has loved. The film works as a quiet meditation on family, loss, and the way places hold the dead. Its Leans Traditional label reflects that core orientation: the relationships on screen are a conventional family unit, the emotional weight centers on filial bonds and mourning, and the film carries no political or social agenda. It is a personal reckoning with roots, rendered through landscape and silence.
Pedro Gabas • MarÍa del Huerto Ghiggi • Gustavo Hennekens
This Argentine documentary, directed by Gustavo Fontán, follows a man who returns by boat to an island on the Paraná River, a place where his childhood home once stood. What he finds is absence. What he summons, through memory and grief, is everyone he has loved. The film works as a quiet meditation on family, loss, and the way places hold the dead. Its Leans Traditional label reflects that core orientation: the relationships on screen are a conventional family unit, the emotional weight centers on filial bonds and mourning, and the film carries no political or social agenda. It is a personal reckoning with roots, rendered through landscape and silence.
Pedro Gabas • MarÍa del Huerto Ghiggi • Gustavo Hennekens
The film explores universal human experiences of grief, memory, and family reconciliation, focusing on a personal journey without engaging in broader political or ideological commentary.
The movie features a traditional cast without explicit DEI-driven choices or intentional race or gender swaps. Its narrative focuses on personal family dynamics and memory, showing no explicit critique of traditional identities or central DEI themes.
The film quietly portrays the enduring bonds of a traditional nuclear family, focusing on the father-son relationship and the legacy of the deceased mother, without questioning or critiquing these structures.
The film 'The Face, 2013' centers on a man's return to his hometown after his father's death, exploring themes of memory, grief, and the passage of time. Based on available information, there are no discernible LGBTQ+ characters or themes present in the movie's storyline or character arcs.
The film 'The Face' does not feature any identifiable transsexual characters or themes. The narrative focuses on a man's return to his hometown and his reflections on past relationships, none of which are indicated to involve transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "The Face" (El rostro) from 2013 is an original Argentine drama. Its characters are newly created for this specific film, meaning there are no pre-existing canonical or historical figures whose gender could be altered.
The film is an original production without pre-existing source material or historical figures. Consequently, no characters had an established race prior to this film's creation, precluding any race swaps.
Not depicted in the film.
Combines user and critic ratings from four sources























