
The Fishermaid of Ballydavid (1911)
The Fishermaid of Ballydavid (1911)
Overview
Kathleen, the daughter of a fisherman meets Henry, the son of a Wall Street Broker, her father forbids their relationship, Kathleen defies her father, and travels to New York to be reunited with Henry.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Kathleen, the daughter of a fisherman meets Henry, the son of a Wall Street Broker, her father forbids their relationship, Kathleen defies her father, and travels to New York to be reunited with Henry.
Starring Cast
Detailed Bias Analysis
Primary
Due to the complete lack of available plot details for this early film, no explicit political themes or biases can be identified, resulting in a neutral rating.
This 1911 silent film features traditional casting, consistent with the era, primarily depicting white characters in Irish settings. Its narrative does not present critiques of traditional identities or incorporate explicit DEI themes, reflecting the filmmaking conventions of its time.
Secondary
Set in rural Ireland in 1911, the film likely portrays Christianity (Catholicism) as an integral and respected aspect of community life. The narrative would align with the dignity and virtues of the faith, reflecting a sympathetic view of Irish culture common in Sidney Olcott's works of this period.
The film 'The Fishermaid of Ballydavid' does not feature any identifiable LGBTQ+ characters or themes. Historical records and plot summaries indicate no representation of queer identities or narratives, leading to a determination of N/A for its portrayal of LGBTQ+ elements.
Due to the absence of specific plot or character information for 'The Fishermaid of Ballydavid,' it is not possible to evaluate its portrayal of transsexual characters or themes. Therefore, the film receives an N/A rating for depiction.
The movie does not contain any action or adventure elements.
No source material or character information is provided for "The Fishermaid of Ballydavid" (1911) to establish canonical genders. Therefore, it is not possible to identify any instances of a gender swap.
This 1911 film is an original production, not an adaptation of pre-existing material or a biopic of historical figures. Therefore, no characters had a canonically or historically established race prior to this film's creation that could be subject to a race swap.
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