Leans Traditional
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Suddenly, Last Summer
(1959)
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LGBTQ: Negative
The Fourth Witness (1917)
The Fourth Witness (1917)
Overview
William Bryant, a hopeless invalid due to a profligate life and made vicious by the fact, lives to make life a misery for his wife Margaret. One evening Bryant's physician, Dr. Cameron arrives at his patient's house, just in time, to intercept a blow that Bryant has directed at Margaret and knocks him unconscious in the ensuing struggle. Margaret flees with Cameron, observed by the chauffeur who enters the house with the intention of stealing. Meanwhile Bryant has regained consciousness and in his twisted mind determines to kill himself and frame his wife. He’s almost successful until at almost the last moment his butler steps forward and acknowledges that Bryant was shot as they struggle with his pistol which the chauffeur confirms.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
William Bryant, a hopeless invalid due to a profligate life and made vicious by the fact, lives to make life a misery for his wife Margaret. One evening Bryant's physician, Dr. Cameron arrives at his patient's house, just in time, to intercept a blow that Bryant has directed at Margaret and knocks him unconscious in the ensuing struggle. Margaret flees with Cameron, observed by the chauffeur who enters the house with the intention of stealing. Meanwhile Bryant has regained consciousness and in his twisted mind determines to kill himself and frame his wife. He’s almost successful until at almost the last moment his butler steps forward and acknowledges that Bryant was shot as they struggle with his pistol which the chauffeur confirms.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is rated as neutral due to the complete absence of plot details, character arcs, or thematic information, making any objective assessment of political bias impossible.
Based on the limited information available for 'The Fourth Witness,' a neutral assessment was applied to both character representation and narrative framing. The evaluation assumes a baseline of visible diversity without explicit DEI-driven recasting and a narrative that does not explicitly critique traditional identities or center DEI themes.
Secondary
No information was provided regarding LGBTQ+ characters or themes in 'The Fourth Witness'. Therefore, it is impossible to evaluate its portrayal based on the given rubric.
Based on the available information, 'The Fourth Witness' does not feature any identifiable transsexual characters or themes. Consequently, its portrayal of such elements is classified as N/A, indicating no depiction.
The movie does not contain any action or adventure elements.
The Fourth Witness (1917) is an original silent drama film. Its characters were created for this specific production and do not have pre-established genders from prior source material, historical records, or earlier adaptations. Therefore, no gender swaps occurred.
No information is available regarding the source material or established character races for 'The Fourth Witness' (1917). Without a baseline, it is not possible to determine if any character portrayal constitutes a race swap.
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