Center
7.4
20,000 Leagues Under the Sea
(1916)
Political: Center
Diversity: Low
The Fugitive (1917)
The Fugitive (1917)
Overview
Unbeknownst to Jim Donovan, his friend and business partner Dan Morgan admired his wife, and one day, when he heard that Jim was in the office, he visited his grandmother and told her that he loved her. She was shocked. Disgusted by her rejection, he planned cunningly. On his way from his home, he sent a fake telegram to Jim, pretending to be from his uncle Frank Foster and asking him to come immediately, as he was seriously ill.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Unbeknownst to Jim Donovan, his friend and business partner Dan Morgan admired his wife, and one day, when he heard that Jim was in the office, he visited his grandmother and told her that he loved her. She was shocked. Disgusted by her rejection, he planned cunningly. On his way from his home, he sent a fake telegram to Jim, pretending to be from his uncle Frank Foster and asking him to come immediately, as he was seriously ill.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around an individual's fight for justice against a flawed system, a theme that is largely apolitical. The narrative champions individual initiative in uncovering truth while also showing law enforcement's eventual role in correcting a specific error, rather than critiquing the system ideologically.
This 1926 silent Western features traditional casting, predominantly with white actors, consistent with the filmmaking practices of its era. The narrative maintains a neutral or positive portrayal of traditional identities, without incorporating explicit DEI themes or critiques.
Secondary
Based on available historical information for 'The Fugitive' directed by Fred Kelsey, there are no identifiable LGBTQ+ characters or themes present in the film. The narrative does not engage with queer identity in any capacity, resulting in a determination of N/A.
The 1910 silent film 'The Fugitive' does not feature any identifiable transsexual characters or themes. Its narrative focuses on a man on the run, with no elements related to transgender identity present in its plot or character descriptions.
The movie does not contain any action or adventure elements.
There is no widely established source material or prior canon for the 1917 film "The Fugitive" that would allow for the identification of a character whose gender was canonically changed in this adaptation.
The Fugitive (1917) is an original silent film, not an adaptation of pre-existing source material with established character races or a biopic of historical figures. Therefore, no characters could have been race-swapped from a prior depiction.
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