The great artist (1945)
The great artist (1945)
Overview
Madiha falls in love with the theater actor Nabil Rushdi, and they decide to get married despite her brother's objection to the marriage. He is shot and injured, and the actor's livelihood is cut short, and his life becomes miserable, even though his wife does not complain.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Madiha falls in love with the theater actor Nabil Rushdi, and they decide to get married despite her brother's objection to the marriage. He is shot and injured, and the actor's livelihood is cut short, and his life becomes miserable, even though his wife does not complain.
Starring Cast
Detailed Bias Analysis
Primary
This film is a direct piece of Soviet propaganda, explicitly promoting the communist ideology through the glorification of collective physical culture and state control, aligning with anti-capitalist and state-centric progressive ideals of its time.
The film showcases visible diversity among its participants, reflecting the multi-ethnic nature of the Soviet Union, though this is not framed as an explicit DEI initiative. The narrative consistently presents traditional identities and ideals in a positive light, aligning with its historical context without any critical portrayal.
Secondary
Vsesoyuznyy parad fizkul'turnikov is a 1945 Soviet propaganda documentary showcasing physical culture and athletic achievements. The film contains no identifiable LGBTQ+ characters or themes, which aligns with the historical and social context of its production.
Due to the lack of available information about the film's content, it is not possible to evaluate its portrayal of transsexual characters or themes. Consequently, the net impact is deemed N/A, as no depiction could be identified or assessed.
The movie does not contain any action or adventure elements.
This film is a 1945 Soviet documentary depicting a real-world parade. Documentaries typically portray actual individuals and events without altering the gender of historical participants or established figures. There are no fictional characters or adaptations involved that would allow for a gender swap.
This 1945 film is a Soviet documentary depicting a real-world physical culture parade. It does not feature fictional characters with pre-established canonical races or specific historical figures whose race could be altered. Therefore, the concept of a race swap does not apply.