Traditional
6.9
Snow White and the Seven Dwarfs
(1984)
Political: Leans Right
Diversity: Low
The Intruder (1972)
The Intruder (1972)
Overview
“The Intruder” is a 1970s color, PSA-style film that seeks to teach the viewer safety tricks for keeping their home safe from burglary and intruders. Produced by Julian Bercovici of Julian Films Production and directed by Bob Kelljan, this film is shot in and around residential areas of southern California and depicts various home invasion scenarios and safety methods such as alarms, locks, and general tips that are narrated by Noah Keen. Made in collaboration with the California Locksmiths Association and the Los Angeles, Burbank, and Glendale Police Departments, the film features interviews with police as well as a burglar himself.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
“The Intruder” is a 1970s color, PSA-style film that seeks to teach the viewer safety tricks for keeping their home safe from burglary and intruders. Produced by Julian Bercovici of Julian Films Production and directed by Bob Kelljan, this film is shot in and around residential areas of southern California and depicts various home invasion scenarios and safety methods such as alarms, locks, and general tips that are narrated by Noah Keen. Made in collaboration with the California Locksmiths Association and the Los Angeles, Burbank, and Glendale Police Departments, the film features interviews with police as well as a burglar himself.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is an experimental, observational piece focused on the subjective experience of urban life, lacking explicit political themes or a discernible ideological problem/solution framework. Its content and artistic approach do not align with a specific political bias.
This experimental film from 1969 does not feature explicit DEI characteristics. Its casting appears traditional, reflecting the context of its production without intentional diversity-driven choices. The non-narrative structure of the film also precludes any explicit critique of traditional identities or central DEI themes.
Secondary
The film "Images from the Bay Area" by Gunvor Nelson does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no portrayal to evaluate, resulting in a net impact rating of N/A.
Based on the provided information, the film 'Mi Raza: Portrait of a Family' does not contain identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
This experimental film from 1972 does not feature named characters adapted from pre-existing source material or historical figures. Therefore, there are no instances of a character's established gender being changed.
The film "Images from the Bay Area" is an experimental documentary without narrative characters adapted from prior source material or historical figures. Therefore, the concept of a character's race being swapped does not apply.
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