8.0
Viewer Rating
Combines user and critic ratings from four sources
The Killing Fields (1984)
The Killing Fields (1984)
Overview
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Buddhism: Positive
Viewer Rating
8.0
Overview
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central thesis critiques the atrocities of the Khmer Rouge regime and the devastating human cost of war, while also subtly questioning US foreign policy, resulting in a balanced humanitarian and journalistic focus that transcends a clear left or right political alignment.
The movie features a diverse cast that accurately reflects the historical setting and real-life individuals, including a prominent Cambodian character. Its narrative focuses on the human impact of the Cambodian genocide and the bond between two journalists, without explicitly critiquing traditional identities or centering DEI themes in a critical manner.
Secondary
The film depicts the systematic persecution and destruction of Buddhist monks, temples, and practices by the Khmer Rouge. The narrative unequivocally condemns this anti-religious violence, positioning the audience to sympathize with Buddhism as a victim of extreme ideological brutality.
The Killing Fields, a historical drama set during the Cambodian genocide, does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely focused on war, journalism, and survival, rendering the portrayal of LGBTQ+ elements as not applicable.
The film 'The Killing Fields' focuses on the Cambodian genocide and the experiences of a journalist and his assistant during the Khmer Rouge regime. There are no identifiable transsexual characters or themes present within the narrative, leading to a 'N/A' rating for its portrayal.
The movie does not contain any action or adventure elements.
The Killing Fields is a historical drama based on real events and people. The main characters, Dith Pran, Sydney Schanberg, and Al Rockoff, are portrayed by actors matching their historical and canonical gender, with no instances of gender swapping.
The film portrays real historical figures: Dith Pran (Cambodian), Sydney Schanberg (white), and Al Rockoff (white). The actors cast for these roles, Haing S. Ngor (Cambodian), Sam Waterston (white), and John Malkovich (white), accurately reflect the historical race of the individuals they portray.
Viewer Rating Breakdown
User Ratings
7.8
7.5
Critic Ratings
9.1
7.6
More Like This
Progressive
6.6
The Mission
(1986)
Political: Strong Left
Diversity: High
Leans Traditional
8.6
The Bridge on the River Kwai
(1957)
Political: Center
Diversity: Low
Traditional
7.0
The Battle of the River Plate
(1956)
Political: Leans Right
Diversity: Low
Center
6.9
The Boy in the Striped Pyjamas
(2008)
Political: Leans Left
Diversity: Low
Center
6.6
Rob Roy
(1995)
Political: Leans Left
Diversity: Low
Leans Progressive
6.7
Lee
(2024)
Political: Leans Left
Diversity: Moderate
Traditional
7.3
The War Below
(2021)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
One Life
(2023)
Political: Center
Diversity: Low
Leans Progressive
8.0
When the Wind Blows
(1986)
Political: Strong Left
Diversity: Low
Traditional
8.1
The Madness of King George
(1994)
Political: Leans Right
Diversity: Low
Center
7.6
Born Free
(1966)
Political: Leans Left
Diversity: Low
Leans Progressive
8.9
Lawrence of Arabia
(1962)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Traditional
8.2
The Queen
(2006)
Political: Center
Diversity: Low
Leans Progressive
6.6
The Duchess
(2008)
Political: Leans Left
Diversity: Moderate
Traditional
7.6
Doctor Zhivago
(1965)
Political: Leans Right
Diversity: Low
Leans Traditional
8.7
The Pianist
(2002)
Political: Center
Diversity: Low
Leans Traditional
6.6
Enigma
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.7
They Shall Not Grow Old
(2018)
Political: Center
Diversity: Low
Center
7.4
Civil War
(2024)
Political: Center
Diversity: Moderate
Leans Traditional
8.1
The Steamie
(1988)
Political: Center
Diversity: Low