The Killing of a Hundred Men at Isshinji Temple (1925)
The Killing of a Hundred Men at Isshinji Temple (1925)
Overview
Japanese film from 1925.
Starring Cast
Rating & Dimensions
Not Rated
Overview
Japanese film from 1925.
Starring Cast
Detailed Bias Analysis
Primary
The film's rating is neutral due to the absence of specific plot details and the director's known humanistic and observational style, which typically avoids overt political advocacy in favor of exploring universal human experiences related to conflict and tragedy.
The film's casting is consistent with its Japanese cultural and historical setting, and its narrative does not explicitly engage with or critique traditional identities within the provided DEI framework.
Secondary
The film portrays a tragic and violent event occurring at a Buddhist temple. By depicting the temple as a site of such a massacre, the narrative implicitly highlights the violation of a sacred space, positioning the audience to lament the desecration rather than condemning the faith itself. This framing aligns with an affirmation of the temple's inherent dignity and the sanctity of the religious institution.
This film, a 1930 Japanese jidaigeki, does not contain any identifiable LGBTQ+ characters or themes. Historical records and critical analyses of the movie do not indicate any such portrayals, leading to a determination of N/A for its LGBTQ+ depiction.
This film does not feature any identifiable transsexual characters or themes. Therefore, an evaluation of its portrayal of transsexual identity is not applicable.
The movie does not contain any action or adventure elements.
Information regarding specific source material or historical figures for this 1925 silent film, and any potential gender changes from such sources, is not readily available. Without evidence of a character's established gender being altered, a gender swap cannot be confirmed.
The 1925 Japanese film does not have any known source material or historical figures where characters were canonically established as a different race than portrayed. Therefore, no race swap occurred.