6.1
Viewer Rating
Combines user and critic ratings from four sources
The Last of Mrs. Cheyney (1937)
The Last of Mrs. Cheyney (1937)
Overview
A chic American jewel thief falls in love with one of her marks, an English lord.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.1
Overview
A chic American jewel thief falls in love with one of her marks, an English lord.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict revolves around individual deception and moral choices within high society, resolving through personal redemption and romantic union rather than promoting specific political ideologies or systemic critiques.
This 1929 film features traditional casting practices typical of its era, primarily showcasing white actors in mainstream roles without intentional diversity-driven recasting. The narrative, a comedy-drama set in high society, does not present explicit critiques of traditional identities or incorporate strong DEI themes, maintaining a neutral or positive framing of such identities.
Secondary
The film 'The Last of Mrs. Cheyney' does not contain any discernible LGBTQ+ characters, themes, or plotlines. Its narrative is entirely focused on heterosexual relationships and social intrigue, resulting in no portrayal of queer identity.
The film "The Last of Mrs. Cheyney" is a pre-Code comedy-drama centered on a jewel thief and social intrigue. There are no identifiable transsexual characters or themes present in the narrative, nor does it touch upon gender identity in any discernible way. Therefore, the film has no impact on the portrayal of transsexual individuals or experiences.
The movie does not contain any action or adventure elements.
The 1937 film "The Last of Mrs. Cheyney" is an adaptation of a 1925 play. A comparison of the characters from the original source material and their portrayal in the film reveals no instances where a character's canonically established gender was altered for the screen adaptation.
The 1937 film is an adaptation of a 1925 play set in English high society. The characters, as established in the source material and portrayed in the film, are consistently depicted as white, with no changes in racial portrayal for any established character.
Viewer Rating Breakdown
User Ratings
6.4
5.8
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
7.7
Barton Fink
(1991)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
6.8
My Dog Skip
(2000)
Political: Center
Diversity: Low
Leans Traditional
7.9
The King of Comedy
(1982)
Political: Center
Diversity: Low
Leans Traditional
6.8
In Good Company
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
7.6
In Bruges
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
Deconstructing Harry
(1997)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Hustle
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Traditional
6.6
Joshy
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.4
Miracle on 34th Street
(1947)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Leans Traditional
7.6
The War of the Roses
(1989)
Political: Center
Diversity: Low