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Combines user and critic ratings from four sources

The Last Samurai (2003)
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
While the film critiques Western-backed modernization and cultural imperialism, its central solution champions the preservation of traditional values, honor, and duty, aligning its dominant themes with conservative ideals.
The movie features a diverse cast that reflects its historical Japanese setting, without explicit race or gender swaps of traditionally white roles. Its narrative offers a subtle critique of Western colonialism and modernization, but does not explicitly portray traditional identities negatively.
The film portrays Zen Buddhism, deeply integrated into the samurai way of life, with profound respect. Its tenets of discipline, mindfulness, and spiritual connection are shown as virtues that bring peace and purpose to the protagonist, contrasting positively with the materialistic 'progress' of the modern world.
The Last Samurai does not feature any identifiable LGBTQ+ characters or themes within its narrative. The film focuses on a 19th-century American soldier's experiences with samurai culture in Japan, with no elements related to queer identity present in the storyline.
The Last Samurai does not feature any identifiable transsexual characters or themes. The film's narrative centers on an American soldier's experiences with samurai culture in 19th-century Japan, with no elements pertaining to transgender identity or issues.
The film does not feature any female characters engaging in or winning close-quarters physical combat against one or more male opponents. Female roles are primarily non-combatant throughout the narrative.
The Last Samurai features original characters and historical figures. All historical figures depicted or inspiring characters maintain their documented gender, and original characters do not have a pre-established gender to be swapped from.
The Last Samurai is an original story, not an adaptation of pre-existing material with established character races. All major characters are portrayed by actors whose race aligns with the characters as conceived for this film, or with historical figures they represent.
Combines user and critic ratings from four sources




Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Tom Cruise | Nathan Algren | Male | White | |
Ken Watanabe | Moritsugu Katsumoto | Male | East Asian | |
Timothy Spall | Simon Graham | Male | White | |
Tony Goldwyn | Col. Benjamin Bagley | Male | White | |
Hiroyuki Sanada | Ujio | Male | East Asian | |
Koyuki | Taka | Female | East Asian | |
Shin Koyamada | Nobutada | Male | East Asian | |
Billy Connolly | Zebulon Gant | Male | White | |
Togo Igawa | General Hasegawa | Male | East Asian | |
Shichinosuke Nakamura | Emperor Meiji | Male | East Asian | |
Masato Harada | Omura | Male | East Asian |
Actor Breakdown
Gender
Race
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