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The Last Seduction (1994)
A devious femme fatale steals her husband’s drug money and hides out in a small town where she meets the perfect dupe for her next scheme.
A devious femme fatale steals her husband’s drug money and hides out in a small town where she meets the perfect dupe for her next scheme.
The film is a neo-noir thriller centered on individual amorality, manipulation, and power dynamics, rather than engaging with specific political ideologies or offering societal solutions. Its focus on a cunning, self-serving protagonist makes it an apolitical exploration of human nature.
The film features a predominantly white main cast, reflecting traditional casting norms. Its narrative, a neo-noir thriller, explores themes of manipulation and power dynamics without explicitly critiquing traditional identities from a diversity, equity, and inclusion perspective.
The Last Seduction does not feature any identifiable LGBTQ+ characters or themes. The narrative is centered on heterosexual relationships and a femme fatale's manipulative schemes, thus rendering the film's portrayal of LGBTQ+ elements as not applicable.
The film "The Last Seduction" does not feature any identifiable transsexual characters or themes. The narrative focuses on a manipulative femme fatale and her interactions with various men, without incorporating any elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The Last Seduction (1994) is an original film and not an adaptation of existing source material with pre-established characters. Therefore, its characters are new creations for this specific movie, precluding any gender swaps by definition.
The Last Seduction (1994) is an original film and not an adaptation of existing source material, nor does it feature historical figures or legacy characters from a prior canon. Therefore, there are no established character races to compare against for a race swap.
Combines user and critic ratings from four sources























