Viewer Rating
Combines user and critic ratings from four sources
Comedy • 1967 • 90 min

A young man moves into a Polish boarding house occupied by three eccentric women, and the comic friction that follows drives this 1967 black comedy from director Janusz Majewski. The domestic setting is firmly traditional: a mother angling for her daughter's marriage, gender roles that go unquestioned, and no interest in broader social politics. There are no LGBTQ themes, no religious framing, and no progressive identity commentary anywhere in the picture. The label Leans Traditional reflects a film shaped entirely by mid-century Polish sensibilities, where the humor comes from absurdist character clashes inside a very conventional household. The rating is mild because the film is a comedy, not a manifesto.
Jan Machulski • Barbara Ludwizanka • Katarzyna Laniewska
A young man moves into a Polish boarding house occupied by three eccentric women, and the comic friction that follows drives this 1967 black comedy from director Janusz Majewski. The domestic setting is firmly traditional: a mother angling for her daughter's marriage, gender roles that go unquestioned, and no interest in broader social politics. There are no LGBTQ themes, no religious framing, and no progressive identity commentary anywhere in the picture. The label Leans Traditional reflects a film shaped entirely by mid-century Polish sensibilities, where the humor comes from absurdist character clashes inside a very conventional household. The rating is mild because the film is a comedy, not a manifesto.
Jan Machulski • Barbara Ludwizanka • Katarzyna Laniewska
The film's narrative centers on individual psychological battles and eccentric character interactions within a domestic setting, rather than addressing or advocating for solutions to broader societal or political issues.
The film features traditional casting, consistent with the demographics of its time and country of origin. The narrative does not incorporate explicit DEI themes or offer critiques of traditional identities.
The film portrays a mother's traditional aspirations for her adult daughter's marriage and future, with parental authority implicitly accepted and gender roles leaning traditional through the mother's character, without overt critique or celebration.
The film does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on psychological tension and mystery within a traditional framework, with no elements suggesting queer identity or relationships.
The film 'The Lodger, 1967' does not feature any identifiable transsexual characters or themes. The narrative focuses on a young scientist's experiences living with three eccentric women, exploring themes of absurdity and psychological manipulation within a black comedy framework, without touching upon transgender identity.
The movie does not contain any action or adventure elements.
The Lodger (1967) is an original Polish psychological drama, not an adaptation of a work with pre-established characters. All characters were created for this specific film, thus there are no instances of a character's gender being changed from a prior canonical or historical depiction.
The Lodger (1967) is an original Polish film, not an adaptation of pre-existing source material with established character races. Therefore, no characters in the film have a prior canonical or historical race to be swapped from.
Not depicted in the film.
Combines user and critic ratings from four sources























