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Combines user and critic ratings from four sources
Fantasy, Adventure, Drama • 2022 • 123 min

This is a theatrical preview release of the first two episodes of Amazon's Second Age prequel series, screened in cinemas worldwide before the show's streaming debut. Set in Tolkien's Middle-earth during a rare period of peace, it follows an ensemble cast navigating the slow return of a ancient evil. The Progressive label reflects deliberate casting choices that diversified roles long coded as white in prior adaptations, plus female characters who win physical confrontations against male opponents. Those signals carry real weight in the culture-war conversation around the series. Moderating factors include traditional family structures, loyalty themes, and a conflict framed around good versus evil, with no LGBTQ storylines present.
Morfydd Clark • Charlie Vickers • Robert Aramayo
This is a theatrical preview release of the first two episodes of Amazon's Second Age prequel series, screened in cinemas worldwide before the show's streaming debut. Set in Tolkien's Middle-earth during a rare period of peace, it follows an ensemble cast navigating the slow return of a ancient evil. The Progressive label reflects deliberate casting choices that diversified roles long coded as white in prior adaptations, plus female characters who win physical confrontations against male opponents. Those signals carry real weight in the culture-war conversation around the series. Moderating factors include traditional family structures, loyalty themes, and a conflict framed around good versus evil, with no LGBTQ storylines present.
Morfydd Clark • Charlie Vickers • Robert Aramayo
The film consciously balances themes that could appeal to both left and right-leaning audiences, focusing on universal struggles against evil, the importance of unity, and the defense of diverse cultures and traditions without explicitly promoting a specific political ideology.
The movie demonstrates significant DEI through explicit racial recasting of roles traditionally perceived as white within its fantasy setting. However, its narrative does not explicitly critique traditional identities or center strong DEI themes.
The series features multiple female characters who engage in and win close-quarters physical combat against male opponents. Galadriel defeats a large troll with a sword, and Bronwyn defeats an Orc with an axe.
Characters including Queen Regent Miriel, Disa, and Sadoc Burrows, who were widely established as white-coded in the source material, are portrayed by actors of a different race.
The series generally favors traditional family values by portraying committed, supportive marriages, respecting parental authority, and emphasizing multigenerational bonds and lineage. While gender roles are depicted with more fluidity than strict tradition, the core values of loyalty, commitment, and family unity are consistently affirmed.
The Lord of the Rings: The Rings of Power does not explicitly feature any LGBTQ+ characters or themes. The narrative focuses on heterosexual relationships and friendships, without presenting any identifiable queer identities or storylines.
The Lord of the Rings: The Rings of Power does not feature any identifiable transsexual characters or explore themes related to transsexual identity within its narrative. The series focuses on established fantasy tropes and character types from Tolkien's Middle-earth lore, without incorporating such specific representations.
All major characters adapted from established lore retain their canonical gender. The series introduces new characters whose genders were not previously defined, which does not constitute a gender swap.
Not depicted in the film.
Combines user and critic ratings from four sources























