Viewer Rating
Combines user and critic ratings from four sources
Drama, Crime, Thriller • 2003 • 104 min

A Brazilian crime drama from 2003, this film follows Maiquél, an ordinary man whose life pivots sharply toward violence and local notoriety after a trivial bet. Directed by José Henrique Fonseca and adapted from Patrícia Melo's novel, it traces his arc from anonymous suburbanite to vigilante hitman, set against the backdrop of urban disorder in Brazil. The Neutral label fits because the film resists clean ideology. Its moral ambiguity keeps political readings open. A thread of traditional family motivation runs through Maiquél's story, but the film critiques rather than endorses the path he takes to fulfill it. No religious, LGBTQ, or progressive social signals appear in any meaningful way.
Murilo Benício • Cláudia Abreu • Natália Lage
A Brazilian crime drama from 2003, this film follows Maiquél, an ordinary man whose life pivots sharply toward violence and local notoriety after a trivial bet. Directed by José Henrique Fonseca and adapted from Patrícia Melo's novel, it traces his arc from anonymous suburbanite to vigilante hitman, set against the backdrop of urban disorder in Brazil. The Neutral label fits because the film resists clean ideology. Its moral ambiguity keeps political readings open. A thread of traditional family motivation runs through Maiquél's story, but the film critiques rather than endorses the path he takes to fulfill it. No religious, LGBTQ, or progressive social signals appear in any meaningful way.
Murilo Benício • Cláudia Abreu • Natália Lage
The film depicts the breakdown of law and order and the rise of vigilantism in a Brazilian suburb, exploring the complex moral ambiguity of its protagonist without explicitly endorsing a specific political solution or ideology.
The movie features a diverse supporting cast reflecting its Brazilian favela setting, though its central characters are white. The narrative focuses on a male protagonist's descent into crime and power, without explicitly critiquing traditional identities or centering on explicit DEI themes.
The film's narrative depicts the protagonist's aspiration to establish a stable family unit with a partner and her child, framing his efforts to become a provider and protector as a central motivation, which leans towards traditional family norms.
The film 'The Man of the Year' does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a heterosexual male protagonist and his journey into a life of crime and local notoriety, with all depicted relationships and social dynamics being exclusively heterosexual.
The film does not feature any identifiable transgender characters or themes within its narrative. The plot centers on a man's transformation into a hitman and local figure, exploring themes of crime, violence, and societal perception without engaging with transgender identity. There are no characters whose arcs or identities align with transsexual experiences.
The movie does not contain any action or adventure elements.
The film is an adaptation of Patrícia Melo's novel "O Matador." All major characters, including the protagonist Máiquel and his wife Cledir, maintain the same gender as established in the original source material.
The film is an adaptation of a contemporary Brazilian novel. There is no widely established canonical racial depiction for its characters in the source material that was altered by the casting choices in the film.
Not depicted in the film.
Combines user and critic ratings from four sources























