6.0
Viewer Rating
Combines user and critic ratings from four sources
The Master and Margarita (1994)
The Master and Margarita (1994)
Overview
The Master is a talented writer in Moscow working on a manuscript about Jesus and Pontius Pilate. The Moscow authorities are harassing Master by surveillance and intimidation. His assistant and muse, Margarita, tries to help the Master through the supernatural powers she got from the devil, Woland, who is visiting Moscow.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Judaism: Negative
Viewer Rating
6.0
Overview
The Master is a talented writer in Moscow working on a manuscript about Jesus and Pontius Pilate. The Moscow authorities are harassing Master by surveillance and intimidation. His assistant and muse, Margarita, tries to help the Master through the supernatural powers she got from the devil, Woland, who is visiting Moscow.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film offers a universal critique of totalitarianism, bureaucracy, and human moral failings, emphasizing the enduring power of truth, art, and spiritual accountability rather than promoting a specific modern political agenda.
The movie "Master i Margarita" features traditional casting that aligns with the historical and geographical context of its source material, without intentional race or gender swaps. Its narrative focuses on broader societal and human critiques rather than explicitly addressing or critiquing traditional identities or modern DEI themes.
Secondary
The film portrays Yeshua Ha-Notsri with profound sympathy and dignity, affirming spiritual truths and compassion. While satirizing the absence of genuine faith in Soviet society, the narrative elevates the virtues associated with Yeshua's teachings.
The film depicts the historical Judean religious authorities, particularly the Sanhedrin, as rigid and complicit in Yeshua's condemnation. This portrayal, consistent with the source material, lacks significant counterbalancing positive nuance within the narrative.
The film 'Master i Margarita' by Yuriy Kara, based on Bulgakov's novel, does not contain any discernible LGBTQ+ characters or themes. Therefore, there is no portrayal to evaluate, resulting in a net impact of N/A.
The film 'The Master and Margarita' (1994) does not include any identifiable transsexual characters or themes. Consequently, there is no portrayal to assess regarding positive, negative, or neutral impact on transsexual representation.
The movie does not contain any action or adventure elements.
The 2006 film adaptation of "The Master and Margarita" by Yuriy Kara faithfully portrays the genders of all major characters as established in Mikhail Bulgakov's original novel. No instances of a character canonically, historically, or widely established as one gender being portrayed on screen as a different gender were identified.
The 2006 Russian film adaptation of Mikhail Bulgakov's novel features characters who are canonically and culturally understood as white/European. The cast consists of white actors, aligning with the source material's established racial depictions. No instances of a race swap were identified.
Viewer Rating Breakdown
User Ratings
6.4
5.6
Critic Ratings
N/A
N/A
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