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The Moral Law (1918)

The Moral Law poster

The Moral Law (1918)

Overview


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Traditional

Political: Leans Right
Diversity: Low
Christianity: Positive

Viewer Rating

Not Rated


Overview


Starring Cast

Detailed Bias Analysis

Analyzing...
Traditional

Primary

The film's central subject matter, 'The Moral Law,' in a 1926 context, inherently frames the narrative around traditional moral codes concerning marriage and fidelity, aligning with conservative values of duty and established order. While exploring the personal struggle, the title suggests an affirmation of these laws or the consequences of their defiance.

This film, produced in 1926, reflects the traditional casting practices of its era, with no intentional diversity-driven casting evident. The narrative does not feature critiques of traditional identities or incorporate explicit DEI themes, consistent with the filmmaking conventions of the period.

Secondary

The film's title, "The Moral Law," and its genre as a 1918 silent melodrama, indicate an affirmation of conventional moral principles. These principles, common in early 20th-century American cinema, are implicitly rooted in Christian ethics, portraying adherence to them as virtuous and desirable.

The film 'The Moral Law' does not feature any identifiable LGBTQ+ characters or themes within its narrative. Based on available plot summaries and historical context, the story focuses on heterosexual relationships and drama, resulting in a N/A rating for LGBTQ+ portrayal.

The film 'The Moral Law' (1918) is a romantic drama centered on a woman's choices in love. There is no evidence from plot descriptions or historical records to suggest the presence of transsexual characters or themes, resulting in an N/A rating for portrayal.

The movie does not contain any action or adventure elements.

The Moral Law (1918) is an original silent drama film. There is no widely recognized pre-existing source material, historical figures, or prior installments with established character genders that could be subject to a gender swap.

The film "The Moral Law" (1918) is an original silent drama, not an adaptation of pre-existing material with established character races, nor a biopic of historical figures. There is no evidence of any character being portrayed by an actor of a different race than originally conceived or established.


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